Picture Book List: 30 Books About Girl Power

I’m always excited to see when there’s a fifth Monday in a month, because that means it’s time for a Bonus Goodie. The Picture Book Lists have been popular–or so you’re telling me!–so that’s what we’re going with again.

The theme this time?

Girl Power!

Here are some of the most empowering girl-​centric picture books I’ve found in my library or coming in via the many advance-​reader copies OPB gets each month.

See what you think! And please do what you can to get the young girls in your life to check out some of these titles. They’re well worth the re-read!


Ada Twist, Scientist by Andrea Beaty, illustrated by David Roberts (Sept 2016)

From Goodreads: “Scientist Ada has a boundless imagination and has always been hopelessly curious. Why are there pointy things stuck to a rose? Why are there hairs growing inside your nose? When her house fills with a horrific, toe-​curling smell, Ada knows it’s up to her to find the source. What would you do with a problem like this? Not afraid of failure, Ada embarks on a fact-​finding mission and conducts scientific experiments, all in the name of discovery. But, this time, her experiments lead to even more stink and get her into trouble!”

AGES 5–7

 

Amazing Grace by Mary Hoffman, illustrated by Caroline Binch (September 1991)

From Goodreads: “Grace loves stories, whether they’re from books, movies, or the kind her grandmother tells. When her school decides to perform Peter Pan, Grace longs to play the lead, but her classmates point out that Peter was a boy. Besides, he wasn’t black.

With the support of her family, Grace learns that she can be anything she wants to be, and the results are amazing!

Remarkable watercolor illustrations give full expression to Grace’s high-​flying imagination.”

AGES 4–8

 

Amelia to Zora: Twenty-​Six Women Who Changed the World by Cynthia Chin-​Lee, illustrated by Megan Halsey and Sean Addy (July 2008)

From Goodreads: “Twenty-​six amazing women; twenty-​six amazing stories. From Amelia Earhart, pilot and adventurer, to Zora Neale Hurston, writer and anthropologist, learn about the hardships and triumphs that inspired each woman to change the world around her. Detailed collages and illustrations draw from various events in the women’s lives.”

AGES 8–12

 

Chrysanthemum by Kevin Henkes (Jan 2011)

From Goodreads: “Written and illustrated by Kevin Henkes, the nationally bestselling and celebrated creator of Lilly’s Purple Plastic PurseOwen, and Kitten’s First Full MoonChrysanthemum is a funny and honest school story about teasing, self-​esteem, and acceptance to share all year round.

Chrysanthemum thinks her name is absolutely perfect—until her first day of school. “You’re named after a flower!” teases Victoria.
“Let’s smell her,” says Jo.

Chrysanthemum wilts. What will it take to make her blossom again?

Supports the Common Core State Standards.”

AGES 4–8

 

Drum Dream Girl: How One Girl’s Courage Changed Music by Margarita Engle, illustrated by Rafael López (March 2015)

From Goodreads: “Girls cannot be drummers. Long ago on an island filled with music, no one questioned that rule—until the drum dream girl. In her city of drumbeats, she dreamed of pounding tall congas and tapping small bongós. She had to keep quiet. She had to practice in secret. But when at last her dream-​bright music was heard, everyone sang and danced and decided that both girls and boys should be free to drum and dream.

Inspired by the childhood of Millo Castro Zaldarriaga, a Chinese-​African-​Cuban girl who broke Cuba’s traditional taboo against female drummers, Drum Dream Girl tells an inspiring true story for dreamers everywhere.”

AGES 4–7

 

Fantastically Great Women Who Changed the World by Kate Pankhurst (Sept 2016)

From Goodreads: “Kate Pankhurst, descendent of Emmeline Pankhurst, has created this wildly wonderful and accessible book about women who really changed the world. Discover fascinating facts about some of the most amazing women who changed the world we live in. Fly through the sky with the incredible explorer Amelia Earhart, and read all about the Wonderful Adventures of Mary Seacole with this fantastic full colour book. Bursting full of beautiful illustrations and astounding facts, Fantastically Great Women Who Changed the World is the perfect introduction to just a few of the most incredible women who helped shaped the world we live in.

List of women featured: Jane Austen, Gertrude Ederle, Coco Chanel, Frida Kahlo, Marie Curie, Mary Anning, Mary Seacole, Amelia Earhart, Agent Fifi, Sacagawa, Emmeline Pankhurst, Rosa Parks, Anne Frank.”

AGES 4–8

 

Fiesta Femenina: Celebrating Women in Mexican Folktale by Mary-​Joan Gerson, illustrated by Maya Christina Gonzalez (Sept 2018)

From Goodreads: “A collection of folktales from various cultures in Mexico, all focusing on the important roles of women, such as Rosha, a young girl who rescues the sun; the goddess Tangu Yuh; Kesne, a Zapotec princess; and the Virgin Mary.”

AGES 8–11

 

The First Strawberries: A Cherokee Story by Joseph Bruchac, illustrated by Anna Vojtech (June 1998)

From Goodreads: “From an award-​winning Native American storyteller comes this captivating re-​telling of a Cherokee legend, which explains how strawberries came to be. Long ago, the first man and woman quarreled. The woman left in anger, but the Sun sent tempting berries to Earth to slow the wife’s retreat. Luminous paintings perfectly complement the simple, lyrical text.”

AGES 3–5

 

Grace for President by Kelly DiPucchio, illustrated by LeUyen Pham (March 2012)

From Goodreads: “ ‘Where are the girls?’

When Grace’s teacher reveals that the United States has never had a female president, Grace decides she wants to be the nation’s first and immediately jumpstarts her political career by running in her school’s mock election! The race is tougher than she expected: her popular opponent declares that he’s the “best man for the job” and seems to have captured the votes of all of the class’s boys. But Grace is more determined than ever. Even if she can’t be the best man for the job, she can certainly try to be the best person!

This timely story not only gives readers a fun introduction to the American electoral system but also teaches the value of hard work, courage, independent thought–and offers an inspiring example of how to choose our leaders.”

AGES 4–8

 

I Like Myself! by Karen Beaumont, illustrated by David Catrow (March 2016)

From Goodreads: “High on energy and imagination, this ode to self-​esteem encourages kids to appreciate everything about themselves–inside and out. Messy hair? Beaver breath? So what! Here’s a little girl who knows what really matters.

At once silly and serious, Karen Beaumont’s joyous rhyming text and David Catrow’s wild illustrations unite in a book that is sassy, soulful–and straight from the heart.”

AGES 1–3

 

Interstellar Cinderella by Deborah Underwood, illustrated by Meg Hunt (May 2015)

From Goodreads:
“Once upon a planetoid,
amid her tools and sprockets,
a girl named Cinderella dreamed
of fixing fancy rockets.

With a little help from her fairy godrobot, Cinderella is going to the ball–but when the prince’s ship has mechanical trouble, someone will have to zoom to the rescue! Readers will thank their lucky stars for this irrepressible fairy tale retelling, its independent heroine, and its stellar happy ending.”

AGES 3–5

 

I Want to Be a Cowgirl by Jeanne Willis, illustrated by Tony Ross (April 2002)

From Goodreads: “Meet a city girl with a big Wild West dream.

I don’t want to be a good girl-
Good girls have no fun.
I can’t play quiet games indoors,
I love the rain and sun.
I don’t want to be a girly girl
Who likes to sit and chat.
I just want to be a cowgirl, Daddy,
What’s so wrong with that?”

From the window of a high-​rise city apartment, a little girl imagines a very different view and dreams of a very different life, but does it have to be just a dream?

The big city meets the wild Wild West in Jeanne Willis’s lyrical text, accompanied by hilarious illustrations from Tony Ross.

AGES 4–8

 

Marisol McDonald Doesn’t Match/​Marisol McDonald no combina by Monica Brown, illustrated Sara Palacios (Sept 2011)

From Goodreads: “ ‘My name is Marisol McDonald, and I don’t match. At least, that’s what everyone tells me.’

Marisol McDonald has flaming red hair and nut-​brown skin. Polka dots and stripes are her favorite combination. She prefers peanut butter and jelly burritos in her lunch box. And don’t even think of asking her to choose one or the other activity at recess–she’ll just be a soccer playing pirate princess, thank you very much. To Marisol McDonald, these seemingly mismatched things make perfect sense together.

Unfortunately, they don’t always make sense to everyone else. Other people wrinkle their nose in confusion at Marisol–can’t she just be one or the other? Try as she might, in a world where everyone tries to put this biracial, Peruvian-​Scottish-​American girl into a box, Marisol McDonald doesn’t match. And that’s just fine with her.

A mestiza Peruvian American of European, Jewish, and Amerindian heritage, renowned author Monica Brown wrote this lively story to bring her own experience of being mismatched to life. Her buoyant prose is perfectly matched by Sara Palacios’ engaging acrylic illustrations.”

AGES 4–8

 

Me…Jane by Patrick McDonnell (April 2011)

From Goodreads: “Patrick McDonnell-​beloved, bestselling author-​artist and creator of the Mutts syndicated comic strip–shares the inspiring story of young Jane Goodall, the legendary and inspiring conservationist featured in the hit documentary film Jane.

In his characteristic heartwarming style, Patrick McDonnell tells the story of the young Jane Goodall and her special childhood toy chimpanzee named Jubilee. As the young Jane observes the natural world around her with wonder, she dreams of “a life living with and helping all animals,” until one day she finds that her dream has come true. With anecdotes taken directly from Jane Goodall’s autobiography, McDonnell makes this very true story accessible for the very young–and young at heart.

One of the world’s most inspiring women, Dr. Jane Goodall is a renowned humanitarian, conservationist, animal activist, environmentalist, and United Nations Messenger of Peace. In 1977 she founded the Jane Goodall Institute (JGI), a global nonprofit organization that empowers people to make a difference for all living things.”

AGES 1–8

 

Miss Rumphius by Barbara Cooney (Nov 1985)

From Goodreads: “Barbara Cooney’s story of Alice Rumphius, who longed to travel the world, live in a house by the sea, and do something to make the world more beautiful, has a timeless quality that resonates with each new generation. The countless lupines that bloom along the coast of Maine are the legacy of the real Miss Rumphius, the Lupine Lady, who scattered lupine seeds everywhere she went. Miss Rumphius received the American Book Award in the year of publication.

To celebrate the thirtieth anniversary of two-​time Caldecott winner Barbara Cooney’s best-​loved book, the illustrations have been reoriginated, going back to the original art to ensure state-​of-​the-​art reproduction of Cooney’s exquisite artwork. The art for Miss Rumphius has a permanent home in the Bowdoin College Museum of Art.”

AGES 5–8

 

Not All Princesses Dress in Pink by Jane Yolen and Heidi Stemple (June 2010)

From Goodreads: “Not all princesses dress in pink. Some play in bright red socks that stink, blue team jerseys that don’t quite fit, accessorized with a baseball mitt, and a sparkly crown!

Princesses come in all kinds. Exuberant text from Jane Yolen and her daughter Heidi Yolen Stemple paired with charming illustrations prove that girls can jump in mud puddles and climb trees, play sports and make messes—all while wearing their tiaras! Not every girl has a passion for pink, but all young ladies will love this empowering affirmation of their importance and unlimited potential.”

AGES 3–8

 

Pepper Zhang, Artist Extraordinary! by Jerry Zhang, illustrated by Trisha Hautéa (Jan 2017)

From Goodreads: “This is an extraordinary story about an ordinary little girl who discovers an interest in art and transforms into an Artist Extraordinaire! Through her journey into fame and stardom, Pepper learns an important life lesson about humility. This book was made into reality through a Kickstarter Campaign that received more than $30,000 in pledges! Pepper has been featured on Huffpost, Mashable, Bustle, Upworthy, Now This, Babble and more!”

AGES 3–8

 

Rosa by Nikki Giovanni, illustrated by Bryan Collier (Dec 2007)

From Goodreads: “She had not sought this moment but she was ready for it. When the policeman bent down to ask “Auntie, are you going to move?” all the strength of all the people through all those many years joined in her. She said, “No.”

A picture book account of Rosa Park’s historic choice.”

AGES 4–8

 

She Persisted: 13 American Women Who Changed the World by Chelsea Clinton, illustrated by Alexandra Boiger (May 2017)

From Goodreads: “A is for Activist is an ABC board book for the next generation of progressives: Families that want their kids to grow up in a space that is unapologetic about activism, environmental justice, civil rights, LGBTQ rights, and so on.”

AGES 4–8

 

Stand Tall, Molly Lou Melon by Patty Lovell, illustrated by David Catrow (Aug 2001)

From Goodreads: “Be yourself like Molly Lou Melon no matter what a bully may do.

Molly Lou Melon is short and clumsy, has buck teeth, and has a voice that sounds like a bullfrog being squeezed by a boa constrictor. She doesn’t mind. Her grandmother has always told her to walk proud, smile big, and sing loud, and she takes that advice to heart.

But then Molly Lou has to start in a new school. A horrible bully picks on her on the very first day, but Molly Lou Melon knows just what to do about that.”

AGES 4–8

 

Stone Girl Bone Girl: The Story of Mary Anning of Lyme Regis by Laurence Anholt, illustrated by Sheila Moxley (Dec 2006)

From Goodreads: “A brief biography of the English girl whose discovery of an Ichthyosaurus skeleton in 1811 when she was twelve led to a life-​long interest in fossils and other important discoveries.”

AGES 5–8

 

Suki’s Kimono by Chieri Uegaki, illustrated by Stéphane Jorisch (Sept 2005)

From Goodreads: “Suki’s favorite possession is her blue cotton kimono. A gift from her obachan, it holds special memories of her grandmother’s visit last summer. And Suki is going to wear it on her first day back to school — no matter what anyone says.

When it’s Suki’s turn to share with her classmates what she did during the summer, she tells them about the street festival she attended with her obachan and the circle dance that they took part in. In fact, she gets so carried away reminiscing that she’s soon humming the music and dancing away, much to the delight of her entire class!

Filled with gentle enthusiasm and a touch of whimsy, Suki’s Kimono is the joyful story of a little girl whose spirit leads her to march — and dance — to her own drumbeat.”

AGES 4–8

 

The Paper Bag Princess by Robert Munch, illustrated by Michael Martchenko (May 1980)

From Goodreads: “The Princess Elizabeth is slated to marry Prince Ronald when a dragon attacks the castle and kidnaps Ronald. In resourceful and humorous fashion, Elizabeth finds the dragon, outsmarts him, and rescues Ronald–who is less than pleased at her un-​princess-​like appearance. Full color.”

AGES 4–7

 

The Princess Knight by Cornelia Funke, illustrated by Kerstin Meyer (March 2014)

From Goodreads: “Violetta is a princess. But she wants to be a knight. At night, she practises at becoming the best knight in the land. When her father, the king, stages a tournament for Violetta’s hand in marriage, she knows she must win the greatest battle yet, for the most important prize of all–herself.”

AGES 3–6

 

The Quickest Kid in Clarksville by Pat Zietlow Miller, illustrated by Frank Morrison (Feb 2016)

From Goodreads: “It’s the day before the big parade. Alta can only think about one thing: Wilma Rudolph, three-​time Olympic gold medalist. She’ll be riding on a float tomorrow. See, Alta is the quickest kid in Clarksville, Tennessee, just like Wilma once was. It doesn’t matter that Alta’s shoes have holes because Wilma came from hard times, too. But what happens when a new girl with shiny new shoes comes along and challenges Alta to a race? Will she still be the quickest kid? The Quickest Kid in Clarksville is a timeless story of dreams, determination, and the power of friendship.”

AGES 5–8

 

The Thing Lou Couldn’t Do by Ashley Spires (Mar 2017)

From Goodreads: “Lou and her friends are BRAVE adventurers. They run FASTER than airplanes. They build MIGHTY fortresses. They rescue WILD animals. But one day, when they re looking for a ship to play pirates in, Lou s friend has an idea: Up there! The tree can be our ship! Ummm … says Lou. This is something new. Lou has never climbed a tree before, and she s sure she can t do it. So she tries to convince her friends to play a not-​up-​a-​tree game. When that doesn t work, she comes up with reasons for not joining them her arm is sore, her cat needs a walk, you shouldn t climb so soon after eating. Finally, she tells herself she doesn t want to climb the tree. But is that true, or is this brave adventurer just too afraid to try?

This delightful picture book from Ashley Spires, bestselling author of The Most Magnificent Thing, perfectly depicts what children go through when confronted with something difficult. With humor and endearing artwork, Spires sensitively portrays Lou procrastinating, making excuses, imagining alternatives and denying she cares. Ultimately, Lou faces her fear, and although she fails, the effort empowers her, encouraging a growth mindset. All the while, Lou s friends model compassionate friendship by offering to teach her how to climb and then moving the game. This book makes a perfect choice for a character education discussion about courage or resilience, or a life-​skills lesson on facing challenges. The story also promotes the joy of imaginative play in the outdoors.”

AGES 3–7

 

This Is It by Daria Peoples-​Riley (Feb 2018)

From Goodreads: “Daria Peoples-Riley’s debut picture book is a celebration of individuality, self-​expression, and dance. Fans of Misty Copeland’s Firebird and Matt de la Peña’s Last Stop on Market Street will want to read it over and over again.

When a young dancer is nervous about her upcoming auditions, her shadow springs to life and leads her on a joyous exploration of their city. Soon enough, the young girl finds confidence in her skills, her body, and her ability to shine.

With an energetic, rhythmic text that begs to be read aloud and striking, exuberant artwork, This Is It is a love story to originality and the simple joy of movement.

The future is in your footsteps.
Freedom is in your feet.
Put one foot in front of the other,
and greet your destiny
.”

AGES 4–8

 

Violet the Pilot by Steve Breen (Sept 2016)

From Goodreads: “By the time she’s two years old, Violet Van Winkle can fix nearly any appliance in the house. And by eight she’s building elaborate flying machines from scratch, mind-​boggling contraptions such as the Tubbubbler, the Bicycopter, and the Wing-​a-​ma-​jig. The kids at school tease her, but they have no idea what she’s capable of. Maybe she could earn their respect by winning the blue ribbon in the upcoming Air Show. Or maybe something even better will happen, something involving her best ever invention, a Boy Scout troop in peril, and even the mayor himself! A classic underdog story full of humor and sweetness and retro pizzazz, Violet the Pilot is both endearing and adorable. It’ll fly right into your heart.”

AGES 4–8

 

The Water Princess by Susan Verde, illustrated by Peter H. Reynolds (Sept 2016)

From Goodreads: “Based on supermodel Georgie Badiel’s childhood, a young girl dreams of bringing clean drinking water to her African village.

With its wide sky and warm earth, Princess Gie Gie’s kingdom is a beautiful land. But clean drinking water is scarce in her small African village. And try as she might, Gie Gie cannot bring the water closer; she cannot make it run clearer. Every morning, she rises before the sun to make the long journey to the well. Instead of a crown, she wears a heavy pot on her head to collect the water. After the voyage home, after boiling the water to drink and clean with, Gie Gie thinks of the trip that tomorrow will bring. And she dreams. She dreams of a day when her village will have cool, crystal-​clear water of its own.”

AGES 5–8

 

Wilma Unlimited: How Wilma Rudolph Became the World’s Fastest Woman by Kathleen Krull, illustrated by David Díaz (Feb 2000)

From Goodreads: Before Wilma Rudolph was five years old, polio had paralyzed her left leg. Everyone said she would never walk again. But Wilma refused to believe it. Not only would she walk again, she vowed, she’d run. And she did run–all the way to the Olympics, where she became the first American woman to earn three gold medals in a single olympiad. This dramatic and inspiring true story is illustrated in bold watercolor and acrylic paintings by Caldecott Medal-​winning artist David Diaz.

AGES 4–7

Editor Interview: Sarah Rockett (Sleeping Bear Press)

The September 2020 Insider Interview is with…Sarah Rockett!

She’s an Editor for Sleeping Bear Press as well as for Cherry Lake Publishing and 45th Parallel school and library imprints. OPB knows all about her work because we’ve recently covered books she edited: Winged Wonders: Solving the Monarch Migration Mystery, Nature’s Friend: The Gwen Frostic Story, and The Boy Who Grew a Forest. (Yep—we enjoy Sleeping Bear books here at OPB!)

She’s a Michigan person through and through, and these days, she lives outside Ann Arbor with a husband, a son, and a cocker spaniel. And a whole bunch of books, one imagines!

Let’s get to the interview to learn a bit more about all Sarah does!


RVC: You earned a degree in journalism from Boston University. What turned you from a life of newspaper/​magazine writing toward the editorial side of things?

SR: News and magazine writing ultimately felt too fast paced for me. I found that I enjoyed spending more time on the text I was working with—to really be careful with language and more creative. I didn’t love the pressure of a news cycle.

RVC: What was your favorite piece of journalism you ever wrote?

SR: I did the Semester at Sea study abroad program in college and ended up writing a handful of pieces for my hometown newspaper while I was traveling. They were writer-​at-​large type stories—and rightfully buried in the paper—but they were a lot of fun to research and write.

RVC: Sounds like a nautically cool time! I wish I’d investigated such interesting off-​campus experiences like that as an undergrad.

Now, working in NY publishing is the dream for many. What were some of the unexpected benefits/​joys of being part of it?

SR: The big budgets were great. Knowing you had some frontlist “season makers” like a new Llama Llama book by Anna Dewdney or the latest John Green YA, as well as a really strong backlist with a good number of classics, meant we could take some additional risk with other projects. The publishing community in NYC was also really wonderful. I was always running into people from other companies—and it was really nice to talk with them about issues facing the industry and trends.

RVC: What was the biggest issue facing the industry at that time?

SR: When I was with Penguin, ebooks were just really taking off and it was so interesting to see how the industry was feeling out the best way to work with the technology. For adult books, the link to ebook is easy/​obvious. But for children’s books, there are so many more issues around the benefits of books vs ebooks. Many ebook developers wanted to include a lot of interactive features and animations–which can be great, but when does it become a game or cartoon and no longer a book? I don’t think the industry (or consumers) have figured it out yet, but it was really interesting to be in the hub of publishing when the initial ebook frenzy started.

RVC: If you had to summarize the most important thing you’ve learned about editing books for children, what would it be?

SR: I think brevity and specificity are the two most important elements to creating wonderful picture books. There’s something magical about leaving space in the text for a child’s imagination. And if you’re keeping text really tight, you have to be sure each word is working really hard for you—it has to mean exactly what you want it to mean.

RVC: About seven years ago, you left NY publishing and worked as a freelance writer/​project manager for ProQuest  for a year. 

SR: When I moved back to Michigan, there weren’t a lot of children’s publishing companies to work with. In fact, there’s exactly one in about a 500-​mile radius—Sleeping Bear Press. Working freelance let me keep my skills fresh while I nudged the owner of Sleeping Bear about an informational interview and waited for a position to open.

RVC: In 2013, you landed that coveted job. What were some of the differences between working at Sleeping Bear versus a large outfit like Puffin/​Penguin Young Readers?

SR: I love working with a smaller company. The doors to the owner and publisher are always open for questions and advice. And I love that there aren’t a ton of steps to project approval. If I’m passionate about a title or project, I can generally make my case to the owner or acquisition group and then move forward. There aren’t a lot of corporate hoops to jump through—which I think allows the editors (and everyone) to be more creative.

RVC: Let’s talk submissions. I know you like timely hooks (which right now probably means diversity, social justice, environmentalism, etc.), but it strikes me that Sleeping Bear leans toward picture books well-​suited to solid educational backmatter. Would you rather see a great-​for-​the-​classroom book, or one that’s a total laugh-​out-​loud good time?

SR: I don’t think I can choose! I really love working on books that have something important to say—whether that’s a biography of someone previously overlooked in history or a story that encourages kids to reduce their plastic waste, etc.—but books that are just pure fun are a delight! Truly funny, laugh-​out-​loud books are so hard to write, so they can be few and far between.

RVC: How many submissions do you see in a month?

SR: Probably 50–100.

RVC: What percentage of those is agented?

SR: I would guess about 20 percent of those are agented or submitted directly from an author I have a relationship with—the rest come in via email submissions per the guidelines on our website.

RVC: Help us understand what Sleeping Bear is really all about. What three picture books really capture the representative spirit of your press’ aesthetic and creative philosophy?

SR: The Legend of Sleeping Bear for its regional hook and unparalleled art. Memoirs of a Goldfish, which is funny and heartfelt. Winged Wonders: Solving the Monarch Migration Mystery, which is a great classroom title with really strong trade crossover—and the illustrations are just so lovely.

And I have to add A Boy Like You—a story with a really important social emotional message.

RVC: It’s interesting that you mention Memoirs of a Goldfish, because that’s how I learned about your press. I was at Book Expo America in NYC back in 2010 or so, and that book was a giveaway from your press. My kids enjoyed it so much that we eventually picked up the sequels–witness the photographic evidence (minus the Elf and Parrot ones, which my kids have hidden somewhere special, and they won’t share where)!

SR: Oh gosh! I love coincidences like that!

RVC: In many ways the publishing world is a small one, and kids really latch onto their favorites.

Back to the regularly scheduled interview…I’ve heard that you appreciate when an author sells themselves in a pitch letter. But there’s the flip side, which is when a not-​yet-​debut author might say, “Hey, I’m going to be the next Jane Yolen, only faster!” What are some examples of how to manage the middle ground between self-​promotion (the good version) versus SELF-​PROMOTION (the icky version)?

SR: It’s important for editors to have the facts on our authors. So writing groups you’re involved with, social media platforms, relevant professional experience, existing school or conference presentations, etc. But authors should stay away from subjective and/​or grandiose claims. If you/​your story is as good as you think it is (i.e. “the next Where the Wild Things Are”), we’ll see it—don’t force it on editors.

RVC: Great advice. And speaking of advice, what do you say about art notes?

SR: In general, I strongly advise against them. A submitting author’s goal is to have the acquiring editor feel personally and passionately about their story. It’s hard to feel an attachment to a story if every other line the author is telling you what you’re seeing. The beauty of publishing a picture book is that everyone involved brings something to the project (author, editor, illustrator, and designer) that makes it stronger. Let editors have that moment to really be engaged in the story.

RVC: One final question for this part of the interview. Rumor has it that you’re a mega-​fan of Gwen Frostic. Actual news or fake news?

SR: Yes! Love her. I grew up with her art and going to her studio in Northern Michigan—I even met her a couple time before she passed and I have a tattoo of one of her pieces!

When I received the submission for Nature’s Friend, I was SO floored!

RVC: Alrighty, it’s time for the Lightning Round! And that means the questions are zippy, the answers are zappy, and the fun is totally electrified. Are you ready?

SR: Let’s do it!

RVC: Which picture book character would you love to be for a day?

SR: Hannah, from Hannah’s Tall Order. She’s got an appetite and knows what she wants.

RVC: Best place in Northern Michigan to get a cherry pie?

SR: King Orchards on US-​31.

RVC: Pick a theme song for where your life is at right now.

SR: “You’ve Got a Friend” by James Taylor.

RVC: What’s your dream project?

SR: Something lyrical and important.

RVC: Favorite non-​Sleeping-​Bear picture book of 2020 (so far)?

SR: Your Name Is a Song by Jamilah Thompkins-​Bigelow.

RVC: Three words that sum up what picture books mean to you?

SR: Growing little minds.

RVC: Thanks so much, Sarah! Next time I’m up in Ann Arbor, the Vernors ginger ale is on me!

Educational Activities: Saving Eli’s Library by Ruth Horowitz

Saving Eli’s Library
Author: Ruth Horowitz
Illustrator: Brittany Jackson
1 October 2020
Albert Whitman & Company
32 pages

As with most writers, I’m a book fan. In fact, some of the stacks of books in my office have now grown taller than me. I suspect Eli would appreciate that fact.

Book description from Goodreads: “Eli loves going to the library for Story Circle, but, one stormy day, the nearby river threatens to flood it. Eli and his dad must brave the storm to help save the books, and, when the storm is over, the whole town must come together to rebuild the library. Inspired by the residents of Lincoln, Vermont, who rebuilt their library on three separate occasions, Saving Eli’s Library showcases one community’s bigheartedness, and the power of water and nature.”


Need some reviews of Saving Eli’s Library?


Educational Activities inspired by Ruth Horowitz’s Saving Eli’s Library:

  • Before Reading–From looking at the front and back cover: 
    • What do you think of when you think of libraries?
    • Where and when does this story seem to take place?
    • What’s going on outside the window?
    • Where did Eli just come from?
    • If you could ask the author any one question before you read the book, what would it be?
  • After Reading–Now that you’ve read the story: 
    • What kind of person is Eli?
    • Why did the library need saving?
    • Can you think of another way the library might have been saved?
    • Could this situation really happen?
    • If you marched with Eli in the book parade, would you wear a special costume?
    • Is there something you don’t understand about the story?
    • What other story does Saving Eli’s Library remind you of?
  • Writing–Now that Eli has saved his library, what happens next for him?  Imagine whatever you want, and then write down what you think of in as much detail as you choose. 
    • What new challenge does Eli–or the library–face?
      • Perhaps the library needs a fundraiser to buy new books? Or there’s a book-​eating alien that arrives? Or…
    • How does Eli overcome the challenge?
    • What does Eli see/​smell/​taste/​touch? Details help make a story come to life!
    • Feel free to draw pictures to accompany your continuation of Eli’s story.
    • Perhaps share your results with a friend or adult?
  • Activities–Try some of the following book-​themed crafts. Get a library-​loving adult to help: 
    • The Cat in the Hat Printable Hat–Yep. It’s wearable. Feel free to draw on the stripes versus use strips of craft paper.
    • Class Pancake Book–This requires a few other youngsters to make it work, so invite friends, family, or classmates to help out!
    • Funny Face Flipbook–This will stop the “I’m bored!” complaints. So much fun!
    • Paper Plate Caterpillar–For fans of Eric Carle’s The Very Hungry Caterpillar. This one’s really easy to make, folks!
  • Further Reading–Which of these other picture books about libraries have you read? (Click on the book cover for more information on any of these titles!)

 

Author Interview: Laurie Keller

I’ve been posting weekly at OPB for more than two years now, and throughout that time, my kids have been kind of “whatEVER!” about the whole thing. But when they heard that “The Arnie the Doughnut Lady” was swinging by? Wow, they got interested. Over the year, we ruined two copies of Arnie the Doughnut with all our rereading, book-​snuggling, etc., so for them, this is the best OPB offering of the century.

I admit it—my dad stock has inched a bit higher as a result of this one. I’ll take it!

It helps that I’ve already shared the advance reading copy of Hello, Arnie! with my kids–it’s book five in the series, and it’s a fun fourth-​wall breaker. The Kirkus review for it says: “Donut expect this to pass young audiences without causing a sprinkle of giggles.”

If you’d like to know a bit more pre-​interview info about author-​illustrator Laurie Keller (a.k.a. “The Arnie the Doughnut Lady”), I offer these seven facts:

  • has a degree from Kendall College of Art and Design
  • lives along the shores of Lake Michigan
  • LOVES the movie Waiting for Guffman
  • prefers acrylic paint (“It dries fast and covers up mistakes!”)
  • perfect day includes roasting vegetarian hot dogs over a campfire on the beach
  • searches store bargain bins for ideas (“Well, just because!”)
  • trying hard to learn how to play the banjo

Now that we have a clearer sense of how much fun Laurie is, let’s get to the interview and see it all firsthand!

Want to e‑find Laurie? Here are some terrific options:


RVC: As much as my kids want me to ask Arnie-​only questions, let’s go back to the start of your career for a bit. You weren’t planning to be a writer or an artist, right? Weren’t you studying dance first?

LK: I was in a repertory dance tour company with the local community college and though I considered dance as a major for a while, it was mostly just for fun. I didn’t study ballet (the foundation of most styles of dance) as a kid so I didn’t think I really stood a chance at making it as a professional dancer so, as much as I loved it, I decided not to pursue it.

RVC: You also come from an educator background. Why didn’t you go that route?

LK: I almost did! After my first two years at Kendall College of Art and Design, I left and enrolled at a college that had a great education program, planning on becoming an elementary teacher. I think I would’ve loved that but I was really missing art school and a professor from Kendall talked me into coming back and giving an illustration career a shot.

Since making books involves doing lots of school visits, I feel like I get the best of both worlds.

RVC: That desire to have a career in illustration led you to a job at Hallmark. What did your seven years as a greeting card artist teach you about character and story that would later prove useful in the kidlit world?

LK: I know that a lot of people have the idea that Hallmark artists only paint cute bunnies and flowers—and don’t get me wrong, I love cute bunnies and flowers—but the talent and skills of the creative staff there was through the roof. I learned so much from them—it really was like going to graduate school. When I started making cards for kids a year after I started there, my characters were pretty crude looking but I learned a lot about refining them and making them more appealing.

Then, during my sixth year there, I was in a 4‑month creative workshop where I got to write and illustrate all my own cards. I LOVED being able to create cards from wacky ideas that popped into my head or things that crossed my path (they encouraged us to be as zany as we wanted). It really brought out my sense of humor and it definitely gave me more confidence as far as “putting myself out there” with my writing.

RVC: What was the turning point that got you “putting yourself out there” in terms of picture books? 

LK: When I got interested in making cards for kids, I started spending lunch hours at a nearby children’s bookstore (The Reading Reptile) looking for inspiration. I was only interested in the illustrations at first but became so enchanted with the stories I read that I started collecting kid’s books and knew that one day I’d love to try writing my own. I was especially inspired by Lane Smith and Jon Scieszka, Maira Kalman, William Steig and Petra Mathers. They all had very different styles of writing—some more dry and irreverent, others more sweet and charming—but they were all funny and engaging in their own right. It helped me to see that there was room for pretty much any style of writing and humor in the children’s book world.

It was years later, when I finished that creative workshop and had to go back to illustrating cards but not writing them, that I got very frustrated and bored, and I’m sure that’s what lead to me writing my first story, The Scrambled States of America.

RVC: Publisher’s Weekly loved that book–your first picture book!–as did many critics and reader (including me). How did the idea for that come about?

LK: It sounds so silly but one night, while falling asleep, some little states with arms and legs and faces popped into my head. The next morning I remembered that and thought “Hey, maybe I could make a book using states as characters to help kids learn about U.S. geography in a fun way.” I didn’t know if I’d seen that in a book somewhere so I asked some of my fellow book collector friends if they’d seen that and none had so I dove into writing it. I would work at Hallmark all day then come home and write into the wee hours every night until I finished it—I was obsessed!

RVC: How much input did you have when Gamewright made a game of your scrambled states book (which is an odd but very cool thing to happen to a picture book)?

LK: Gamewright contacted Henry Holt expressing interest in turning Scrambled States into a game and wondered if I had any ideas for how it could work. I didn’t AT ALL and was so surprised that they even saw potential for a game. They came up with the entire idea and it’s so much fun to play, very fast-​paced and educational. They ended up making a puzzle version of it, too.

RVC: The Scrambled States of America was purchased by Christy Ottaviano (here’s her 2020 interview with us), and I see that her imprint’s doing Hello, Arnie!, the new Arnie book which comes out in a few weeks (September 2020). What do you like most about working with Christy and her team?

LK: Besides Christy’s minty-​fresh breath, do you mean?

RVC: Yep. That’s a total given!

LK: Well, from day one, she was so warm and friendly and we became fast friends. I thank my lucky stars all the time for being able to work with Christy. And as smart and business-​savvy as she is, she’s also very creative and understands how everyone’s writing process is completely different. She doesn’t get annoyed as I constantly make changes to my stories until the last possible second. And to top it all off, she’s got a goofy sense of humor and is just a whole lot of fun!

RVC: From the interview I did with her here, I totally agree. So much fun!

And speaking of fun, your books feature a lot of wordplay. What’s your process for creating and honing that level of pun fun?

LK: Sometimes I have a few ideas for jokes and silly asides when I start writing. Some of it comes as the story develops and I get to know the characters’ personalities better. But when I get to the illustration part, that’s when most of the jokes pop into my head (especially when it’s late and I’m tired and punchy).

I used to think those ideas were completely random, though I now think my brain is working things out unconsciously and shoots them on over when they’re ready. I’m sure it’s a nightmare for Christy and her team because, like I said, I’m constantly rewriting and making changes until they finally take it away from me. As far as the puns, I’m a punster by nature, probably to the annoying point if you asked my remaining friends–the ones who haven’t left because they’re sick of my dumb puns, that is!

RVC: You illustrate books for others (such as the Marty Frye, Private Eye books and Pluto Gets the Call). How different is the process of working with another’s text versus handling all story aspects on your own?

LK: It takes me longer to loosen up when I’m illustrating someone else’s book; I get so nervous because I want the author to like what I do and I don’t want to blow it! The illustrating process (once I get over my nervousness) is more streamlined because I’m not going back and forth editing my story while I illustrate like I do with my own. Most times, the publisher and author have asked me to add little jokes and asides like I do in my books, and as strange as it feels at first to add words to someone’s story, I always have fun doing that.

RVC: You’re ranged far and wide with your topics. Manners. Doughnuts. Smiling. Geography. Teeth. Numbers. What’s next for you?

LK: I illustrated a book for Joan Holub called I Am the Shark. It’s about sharks. I’ll soon start illustrating a companion book called I Am the Bear. Oddly enough, it’s also about sharks. No wait, it’s about bears.

RVC: I’m sure the marketing folks at the press are super-​happy that’s the case!

LK: I’m also in the idea-​generating process for whatever it is I’ll be writing next. I have picture books in mind, of course, but I’m considering writing books for other age groups as well.

RVC: We loved having you with us, Laurie, but we’ve never had the chance to feature a doughnut here before. Are you open to letting us wrap up this interview with a Q&A from your pastry-bestie?

LK: Thanks for chatting, Ryan! And thank you for asking to interview Arnie–he’s been interrupting me the entire time wanting to get in on it!

RVC: Arnie, it’s time for THE LIGHTNING CHALLENGE! Sprinkle-​sweet questions and sugary-​good answers, please! Are you ready?

Arnie: I was MADE ready, Ryan!

RVC: Top three items on your bucket doughnut-​box list?

Arnie:

1) to set a Guinness World Record for ROLLING around the world
2) to audition for Cirque du Soleil’s show, “O” (I haven’t seen it yet but since it has a doughnut for the title, I figure I’m a shoo-​in. And I’m very bendy.)
3) to win “BEST IN DOUGH” at the Westminster Dog Show (I’m a doughnut-​dog now, you know)

RVC: A secret talent you have that no one would expect?

Arnie: Charming the ladies.

Arnie: I’m also great at hot do-​ga. Your probably know it as hot “yoga.”

RVC: If you weren’t a full-​time picture book star, you’d be…

Arnie: I’m a song and dance doughnut, Ryan. I’d love to be the star in a big show with lots of sprinkles! I’ll tell you what I WON’T be doing and that’s being a picture frame, pincushion, or air freshener like Mr. Bing suggested!

RVC: Favorite non-​doughnut picture book of 2019?

Arnie: Who Wet My Pants? by Bob Shea and Zachariah OHora. I laughed so hard my sprinkles were popping off! (I read Laurie Keller’s copy—don’t tell her, she gets all, “Stop getting frosting and sprinkles on the pages, Arnie!”)

RVC: True or false: you have the same number of sprinkles in every book.

Arnie: TRUE! 135 of them to be exact! Laurie Keller counts them to make sure she does it right. The only time she doesn’t count them is if I’m really small on a page or if only part of me is showing or on the RARE OCCASION that I flip my lid and my sprinkles start flying around. Poor Laurie gets tired of painting sprinkles though and I heard her say once that she wishes she’d made me a plain doughnut.

A PLAIN DOUGHNUT, RYAN! Can you imagine?

I get nauseous just thinking about it.

RVC: How did you first meet Laurie?

Arnie: I was visiting a friend in NYC who lived next door to her and we met on the elevator. She gave me her card and asked if she could make a book about me. I knew it was only a matter of time before someone approached me about it.

RVC: Why is Laurie the best person to help you tell your story?

Arnie: She really gets all of us “inanimate objects,” I guess. She knows that we have feelings, hopes, and dreams just like anyone else does. Plus she likes my corny jokes. I’m a pun-​bun at heart.

RVC: Your favorite line from any of your books?

Arnie: That’s a dough-​brainer, Ryan…it’s my signature song, ”DOUGHNUT MAKE MY BROWN EYES BLUE”.

RVC: Thanks so much, Arnie (and Laurie, too)! I had a great delicious time!

Arnie: Thanks for having us, Ryan!

Picture Book Review: Hans Christian Andersen: The Journey of His Life by Heinz Janisch

Author: Heinz Janisch
Illustrator: Maja Kastelic
NorthSouth Books
1 September 2020
56 pages

This month’s PB review is by Ryan G. Van Cleave (Frequent Fairytail Fan at Only Picture Books) and Ringling College of Art and Design Illustration Professor John Herzog.

–Ryan’s Review of the Writing–

I’m always a bit leery of picture books that run past the traditional 32 pages. And with this one at 56 pages? This might be the most telling comment of the entire review–it doesn’t feel long. Had I not known in advance that it was 2x as long as most, I wouldn’t have even thought about that fact.

Partially, it’s due to the captivating artwork. Witness how mesmerizingly bright things get when the story leaps into flights of the imagination. But I’ll let John handle that aspect of things, though I’ll simply add that this reader really appreciates the sense of wonder, innocence, and magic the illustrations create at times. Well done, Maja Kastelic!

Austrian author Heinz Janisch’s fresh take on the life of Hans Christian Andersen (translated by David Henry Wilson) is clever in that it allows Hans himself to tell his own story fairy-​tale-​style to a young girl named Elsa as they share a coach ride. That’s so appropriate in that it connects to the oral component of his tales–we likely first heard them read aloud to us, and here’s Hans doing that same thing for yet another young story lover. Like I said–so clever and apt.

Elsa also serves as a stand-​in for the reader, asking the questions we want asked, primarily “What happens next?” But she also asks if he’s the Hans in his many stories, to which he replies:  “I don’t think my stories are all about me. With fairy tales you can sometimes hold a mirror out in front of other people without them realizing it.”

Another way in which this book is clever is how Hans showcases qualities and experiences from his own life through the lens of his stories, such as how his own early years were like “The Ugly Duckling,” which is about a duckling who is teased for being different until one day when it turns into a beautiful swan. “Anyone can turn into something special–that’s what the story tells us. Like a poor cobbler’s son becoming a famous writer,” he says to Elsa and her mom.

Some might argue that the book presents too cheery a take on a life that most realize was fairly grim, lonely, and eccentric (I hesitate to call him weird, but yeah, that’s probably more accurate since he went bonkers over bad reviews, was terrified of being buried alive, and was likely celibate his entire life), but without a doubt, he’s one of the most influential writers of his century and this book captures a bit of that magic in a pleasant mix of biography and a well-​fabricated story frame.

This is a must-​read for any reader, with appropriate Back Matter that likely will offer one or two tidbits adult readers didn’t know about this beloved literary giant.

4.75 out of 5 pencils

 

–John’s Review of the Illustrations–

There’s something truly magical happening in Hans Christian Andersen: The Journey of His Life. It’s not just the context, although there’s plenty of magic to be found there. It’s in everything, really: the story, the illustrations, the colors, the compositions. If there’s a perfect picture book, in my opinion, I’d say this gets damn close to being it.

First, I must point out how much I love the length of this book. It’s much, much longer than your typical picture book today, but I appreciate that here. It’s long, but at no point was I bored and, personally, I don’t think kids will be bored reading this either. Heinz Janisch has made this popular, prominent figure of the establishment feel fresh again with an interesting take on their life story. I found it incredibly clever to couch Andersen’s history in a journey where he talks about his life with Elsa, a child–his main audience then and now. I was pleasantly reminded of how Andersen’s stories don’t talk down to children (and neither does this book), which I feel is something of a problem in the children’s publishing world today.

In terms of the illustrations, this is probably one of the most cinematic picture books I’ve ever read. The compositions, character designs, and expert use of color and mood harken to the work of Wes Anderson and Quentin Tarantino. As someone who has dabbled in filmmaking, it’s fantastic to see the crossover here. Color especially is used in incredibly effective ways that help tell the story. We’re taken through the highs and lows of Andersen’s life through color, and the way illustrator Maja Kastelic has approached it is pitch perfect. The contrast is such that, if you were to remove the words, I dare say that the images would still tell the story. They’re that good.

The character designs are also brimming with watercolorey appeal. I instantly like Andersen as he’s depicted here with his top hat and blue bow tie, his cheeks slightly flushed. The other characters involved are also charming and full of life. Even the environments are full of appeal and character thanks to the watercolor approach here.

The way the compositions are laid out almost resemble a comic book, and also reminded me of how Wes Anderson loves playing around with aspect ratio in his films (see The Grand Budapest Hotel and The French Dispatch). There’s one page in particular that I absolutely love: Andersen is discussing the dark times he endured as a child, and the illustrations are very desaturated and dour. And at the very bottom right-​side of the page, underneath this mountain of black & white images, we see a small Elsa looking sad at what Andersen had to endure. We know exactly how Elsa is feeling because of the way the page is laid out and the way color (or lack of it) is used. This page, in and of itself, is a masterclass of visual storytelling.

I completely and willingly admit that I’m coming at this book with my own personal biases. However, I’m planning to purchase The Journey of His Life when it’s released in September, so that right there should tell you how much I love it. I think you’ll love it, too.

5 out of 5 crayons


John Herzog is an award-​winning illustrator and educator. 

His clients include Hasbro, Dreamworks TV, Houghton Mifflin Harcourt, Scholastic, and Highlights for Children. He also teaches illustration classes at Ringling College of Art and Design.

John is a member of the National Cartoonists Society and Society of Children’s Book Writers and Illustrators, where he received the 2018 SCBWI Magazine Merit Award for his Highlights High Five cover illustration. He lives in Florida with his wife, two kids, a pair of geckos, a South American horned frog, a bearded dragon, and a fish.

He is represented by Shannon Associates.