Month: August 2024

Editor Interview: Cheryl Eissing (Flamingo Books)

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When someone takes the time to write a great social media bio, they deserve kudos, acclaim, and general admiration. Witness editor Cheryl Eissing’s bio at Twitter/​X. “When I’m not editing, I can be found reading with an English Bulldog at my feet, cooking too much pasta, or walking my dog around Brooklyn.”

Love it!

Her bio at Penguin’s website offers two bits of dynamite info as well.

“Cheryl mainly edits picture books, with some middle grade and young adult, and is specifically interested in stories that cause giggles, give comfort, and expose their readers to experiences and perspectives they haven’t seen before.”

“Cheryl is always looking for commercial and silly yet profound picture books and stories that entertain, educate, and inspire young readers. When she is not editing books, Cheryl can be found befriending dogs on the streets of Jersey City, watching horror movies, or searching for the perfect lychee martini.”

Awesome, right? Let’s talk to her to find out a bit more.

RVC: Let’s deal with the geographic elephant in the room. In the bio snippets above, it seems you have a multi-​state dog love going. What’s the real story there? 

CE: Ha! Unfortunately, the first bio is out of date. I lived in Brooklyn with the bulldog in question (who has sadly crossed the rainbow bridge, as the social media pet community often calls it) but he was the greatest editing and walking companion. I moved to Jersey City in 2020 and still go for dog walks (by that I mean, I walk around Jersey City and admire all the dogs). I will always have a soft spot for bulldogs.

RVC: Got it, thanks. Now, back to the regularly scheduled OPB interview…what aspect/​part of you today gives away where you’re from and how you were raised? 

CE: I grew up in the suburbs of Long Island and went to college in New Jersey, so I’m very serious about bagels and pizza. I’ve just finally grown up and realized you can get good bagels and pizza outside of New York!

RVC: Good to know! Here’s a huge question: what was your first meaningful experience with a book?

CE: Oh goodness, what a big question! Picture books that I have a vivid memory of reading as a kid are Where the Wild Things Are by Maurice Sendak, Chrysanthemum by Kevin Henkes and Corduroy by Don Freeman. I just remember each of them speaking to something in me as a child. I always loved the adventure of Corduroy and was amazed by the idea of being alone in a department store after it closed. I loved the fantastical, dreamlike elements of Where the Wild Things Are and absolutely identified with Max’s mischievousness. And as someone who did not like being the only person with my name in my class as a little kid, Chrysanthemum really spoke to me.

RVC: Most of us in the book industry had a powerful experience with a teacher somewhere along the way. What was your MIT (Most Important Teacher) moment?

CE: Ms. Jeans, my second-​grade teacher!

RVC: Best…name…ever.…

CE: She was the absolute best and always made me feel smart and capable. I remember her showing a drawing I did to another teacher—it’s amazing how much those little encouragements are so important and really stick with you!

RVC: Totally agree! Your LinkedIn account says you did your undergraduate studies at Rutgers. What career goal did you have in mind there?

CE: I wanted to be in publishing since I was in high school. I remember looking at all of the YA books on my shelves and thinking, “Okay, I don’t really enjoy writing, but what are the names of these companies on the spines of my books?” and realized that I could work with books in another way. I went into college thinking I’d major in English and then eventually go onto publishing, and always sort of thought if it wasn’t meant to be something else would reveal itself as my calling, but it stuck!

RVC: What was the most useful thing/​skill you learned at Rutgers?

CE: Reading and analyzing literature and seeing the many ways a book can be written and written well. Not all who work in publishing are former English majors, but I felt like it certainly helped me!

RVC: You’re the post child for the power of internships. Share a bit about what you did and how that helped launch your career in the industry.

CE: Because Rutgers was just a train ride away from NYC, I was able to apply for internships and do those in Junior and Senior year. I definitely wouldn’t have been able to do them in Freshman and Sophomore year while I was still getting my bearings and still having to take core requirement classes that took up a lot of my time.

I got lucky with landing my first internship at Abrams, in a department that I wasn’t ultimately interested in, but I was doing admin tasks and learning how publishing worked. That led me to more interviews and more internships. Most of what I did for internships wasn’t stuff that interested me, but it helped me learn how a publishing office worked and gave me good experience!

RVC: It seems like you might’ve had a moment where you considered being an agent. What happened there?

CE: After I graduated college and had just had one interview for a real job, I was feeling very restless and continued applying to internships, which eventually landed me as an intern at a literary agency. It was definitely interesting to learn about that part of the publishing world but I realized it wasn’t for me. I definitely prefer working on shaping a manuscript the most!

RVC: Tell me the story behind the first picture book you acquired. 

CE: The first picture book I acquired was My School Stinks by Becky Scharnhorst and Julia Patton. I met Becky at the Rutgers One-​on-​One Publishing Conference, and we really clicked. We worked on her manuscript (which was originally a camp story rather than a school story) and I loved it so much. Becky was so great at really considering my notes and was so great at writing funny and heartfelt stories. I ended up asking her to change the setting from a summer camp to a school and I remember feeling so worried that she wouldn’t want to change so much about her manuscript (but also completely understanding if she did!) and worrying that she wouldn’t want me as her editor.

In the end, she adapted the manuscript into a school setting, and I just loved it and I was so happy that my publisher agreed, too! We found Julia and adored her artwork–she is so talented at doing mixed media scenes and could really incorporate the journal entry format of the story into her hilarious illustrations. I loved working on My School Stinks!

RVC: What’s the most useful thing you got from that experience? 

CE: I think I learned a lot about the author’s experience of editing a manuscript. Because it was my first acquisition, I had to really carefully consider my words and how to get the best manuscript possible from my author, while still being encouraging and showing how much I love the book. While an editor absolutely feels ownership over each book they edit, ultimately the book is the author and illustrator’s creation! And our job is to give suggestions in how to make the best possible book that is within the author and illustrator’s creative vision! So I think that experience really taught me to really consider the author on the other end of my emails and notes.

RVC: Let’s jump ahead to your recent work. What’s the most important thing people should know or understand about Flamingo Books?

CE: We love funny picture books! We think books that are fun is the best way to make lifelong readers, so often the first thing we look for is humor. We love profound and heartfelt picture books, too, but I’d say a good majority of our books are funny!

RVC: Why is Flamingo Books a great fit for you?

CE: I love to do sweet and silly picture books that tackle big moments or emotions in a child’s life, as well as books that can teach a reader something new, but always with lots of humor and character. I love a funny book and I’m always looking for books that can be funny while still accomplishing other things. I think that humor is such an easy entry point for kids and reluctant readers. I truly believe that any kid who doesn’t like to read just hasn’t been introduced to the right books!

RVC: What does a typical workday look like for you?

CE: A lot of it is answering emails from other departments, looking at passes of books, fielding submissions, and, depending on the time of year, preparing materials for upcoming meetings.

RVC: What’s the most common misconception writers have about editors?

CE: I think some writers might feel like getting a lot of edits means their editor thinks that they’re not a good writer. Editing can take a lot of time and several rounds (some take 10 rounds or even more!). Sometimes we don’t notice something the first 5 times we read it. Or sometimes fixing one problem in the manuscript creates another. Having lots of edits is very normal and part of the process!

RVC: What’s your editing superpower? 

CE: Oh, I really don’t know! I guess I’m good at editing funny books?

RVC: Speaking of editing superpowers, you’ve had some real successes. Share what it’s like to find out a book you edited is on the New York Times bestseller list. 

CE: It is really really cool. Being on the NY Times list is not the end-​all-​be-​all of a book’s success by any means, but it’s definitely something that holds a lot of weight in the industry and it is so great to have one of your books succeed in that way. I think the coolest part is that books that land on that list are because of the work of so, so many of your colleagues who loved it. A book that you acquired and worked hard on, and launched to them, and hoped they would love as much as you do. Having a whole team to work hard with and celebrate with is really lovely!

RVC: I believe you worked on a book written by my friend, Michelle Houts—Hopefully, the Scarecrow.

CE: Yes! I adore Hopefully the Scarecrow!

RVC: What grabbed you about that story? 

CE: Michelle’s voice throughout the story was what I instantly loved. It had this timelessness to it that felt like a book I could’ve read 50 years ago but also felt so current.

RVC: Your feeling on art notes?

CE: I LOVE how that book turned out. We waited a whole extra year just to have Sara Palacios illustrate and it was so worth the wait! That book is gorgeous and I sometimes just pop it open to stare at the art. It’s one of those book where the words and art really work together perfectly.

RVC: A lot of aspiring writers read OPB. Let’s help them out—offer some examples of “commercial and silly yet profound picture books” please!

CE: The Bad Seed series by Jory John and Pete Oswald, A Hungry Lion by Lucy Ruth Cummins, We Found a Hat by Jon Klassen, Strictly No Elephants by Lisa Mantchev and Taeeun Yoo, Something’s Wrong by Jory John and Erin Kraan.

RVC: Since COVID, I’ve made a point out of asking everyone a health and wellness action. Here’s yours. What do you do to de-stress?

CE: I like to cook, or exercise, or read a book for pleasure.

RVC: One final question for this part of the interview, Cheryl. If you had to summarize the most important thing you’ve learned about picture books, what would it be?

CE: I guess it would be that picture books have power. They can teach kids about empathy, friendship, loss, feelings, family, differences, etc. and can shape who they are as a person.

RVC: Okay, here we go. It’s the LIGHTNING ROUND. Zippy zoomy questions followed by zapptastically fast answers. Are you ready?

CE: Yes!

RVC: What “old person” thing do you do?

CE: I really like jigsaw puzzles and Sudoku.

RVC: If someone narrated your life, who would you want to be the narrator?

CE: Kathryn Hahn or Ayo Edebiri.

RVC: If you had a giraffe you needed to hide, where would you hide it?

CE: Under a blanket.

RVC: What are five things you couldn’t do your job without?

CE: A notebook, a laptop, post-​its, Diet Dr Pepper, Rhymezone.com

RVC: Who sets the standard for picture book rhymes?

CE: Anna Dewdney and Sandra Boynton.

RVC: What’s a favorite line from a picture book you edited?

CE: “Great job, Buffalo. Help yourself to some potato salad.” (From Porcupine & Cactus by Katie Frawley & Alex Willmore)

RVC: Thanks so much, Cheryl!

Reading Activities: Goth Moth by Kai Lüftner, illustrated by Wiebke Rauers

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Goth Moth
Author: Kai Lüftner
Illustrator: Wiebke Rauers
Translator: Tim Mohr
3 September 2024
NorthSouth Books
32 pages

Book description: “From the world of Jitterbug, a picture book for any child who is afraid to step into the limelight and try something new!

Walter is a shy moth. He prefers to hide out in his quiet attic. But a fiery passion slumbers in him … In his heart he is a drummer, a true “Goth Moth.” There’s just one problem: Walter has no drums, let alone a band. The moth adores the music by Jitterbug (also known as Lady B. Marie)—his idol. At one of her concerts, the unimaginable happens: the Goth Moth now finds himself on stage, in the limelight.

Kai Lüftner’s rollicking rhymes tell the story of someone who flies under the radar with daring rhythm. Wiebke Rauers prepares the stage for our shy hero in such a thrilling way that you too will become a Goth Moth fan.

Rock on with Walter the Goth Moth and Lady B. Marie the Jitterbug in these musical refrains about being yourself!”

Reading Activities inspired by Goth Moth:

  • Before Reading–From looking at the front cover: 
    • What do you see on the cover of the book? What kind of story do you think this will be?
    • The main character is called “Goth Moth.” What do you think that means? Have you ever heard of the word “goth” before?
    • What kind of music do you think a “Goth Moth” might like? Do you have a favorite kind of music?
    • Based on the cover illustration, what do you think the pictures inside the book will look like?
    • What questions would you like to ask the author–or the illustrator –before reading the book?
  • After Reading–Now that you’ve read the story: 
    • How did you feel about Walter at the beginning of the story? Did your feelings change by the end?
    • Why do you think Walter admires Jitterbug so much? If you could meet your idol, what would you say to them?
    • Walter was nervous to perform in front of others. Have you ever felt that way? How did you overcome your nerves?
    • The story talks about the difference between day and night. What are some things that are different about these two times of day?
    • Walter found the courage to share his passion for drumming. What’s something you’re passionate about that you’d like to share with others?
    • If you were friends with Walter, what would you do together?
    • Would you recommend this book to a friend? What part would you tell them about first?
  • Moth Mask Making: Create your own Goth Moth mask using cardboard, paint, and other craft supplies. Decorate it with lines, stars, or anything else that inspires you. Cut out a moth shape from cardboard, then use paint, glitter, feathers, or anything else you can find to decorate it. Make it as unique as you are! You can even add pipe cleaners for antennae or googly eyes for a silly touch.
  • Shadow Puppet Show: Put on a shadow puppet show inspired by the story. Use a flashlight and cut-​out shapes to recreate Walter’s journey from his attic to the stage. You can use cardboard or construction paper to create your puppets. Get creative with the shapes and sizes! Invite your friends and family to watch your show.
  • Nighttime Nature Walk: With a parent or older sibling, explore the outdoors at night with a flashlight and see what creatures you can find. Remember to be respectful of their homes and habitats. Listen for the sounds of crickets, owls, or other nocturnal animals. See if you can spot any fireflies or moths! Draw pictures or take photos of what you discover.
  • Rhyming Riddles: Write some rhyming riddles about bugs or music. Share them with your friends and see if they can guess the answers! Here’s an example: I have wings but cannot fly, I light up the night sky. What am I? (A firefly). You can also try writing acrostic poems using the words “MOTH” or “MUSIC.”
  • “From Shy to Stage” Comic Strip: Illustrate a comic strip depicting Walter’s journey from shyness to performing on stage. Capture his emotions and experiences in each panel. Use speech bubbles and thought bubbles to show what Walter is thinking and feeling. You can even add sound effects like “BOOM” and “CRASH” to bring your comic strip to life.
  • “Behind the Music” Interview: Imagine you’re interviewing Walter after his big performance. Write a list of questions you’d ask him about his experience, such as:
    • What was it like to play on a real drum kit? 
    • How did it feel to be on stage with Jitterbug? 
    • What advice would you give to other shy kids who have big dreams?
  • Further Reading: If you loved the rock-​and-​roll energy of Goth Moth, you’ll be thrilled to discover these other picture books that feature amazing bands and musical adventures! Which of these have you already read? Which ones would you like to explore first?
    • The ABCs of Rock by Randy Diderrich, illustrated by Liz Bagby: Get ready to rock your ABCs with this fun picture book! From A to Z, discover all the coolest things about rock and roll, from amplifiers to zeppelin, with eye-​catching illustrations and fun facts along the way.
    • Elvis Is King! by Jonah Winter: Shake, rattle, and roll with the King of Rock and Roll himself, Elvis Presley! This vibrant picture book captures the energy and excitement of Elvis’s music and his impact on popular culture.
    • Punk Farm by Jarrett J. Krosoczka: On Old MacDonald’s farm, the animals aren’t just singing “E‑I-​E-​I‑O,” they’re rocking out! When the farmer goes to sleep, the cows, pigs, and chickens transform into a punk rock band, complete with mohawks and leather jackets. It’s a hilarious and rebellious story about letting loose and having fun.
    • Rock & Roll Highway: The Robbie Robertson Story by Sebastian Robertson, illustrated by Adam Gustavson: Embark on a musical journey with Robbie Robertson, a talented guitarist who found inspiration in the music of the Six Nations Indian Reservation. Follow his path from a young boy in Canada to the founder of The Band, a Grammy award winner, and a renowned film score composer. It’s an inspiring story about following your passion and making your mark on the world.
    • Rock ‘n’ Roll Soul by Susan Verde, illustrated by Matthew Cordell: Celebrate the history and legacy of rock and roll music with this vibrant picture book. From Chuck Berry to Jimi Hendrix, discover the pioneers who shaped this iconic genre and the music that continues to inspire generations.

 

Author Interview: Cate Berry/​Scorch, the Hedgehog of Doom

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Cate Berry: Author Photo (credit: Scorch, Hedgehog of Doom)

This month’s Author Interview was supposed to be with Cate Berry, but she’s currently on a top-​secret mission to infiltrate a cheese factory. (Word on the street is they have the finest gouda.) Luckily, we were able to snag an exclusive chat with the star of her latest book, Scorch, Hedgehog of Doom. Scorch is known for her ferocious ambition, prickly personality, and surprisingly soft heart. So, let’s see what this doomtastic hedgehog has to say about fame, friendship, and finding your inner awesomeness.

If you want more Cate, though, here are some options:

RVC: Scorch, you’re quite the literary sensation now. How does it feel to be the star of your own book, Scorch, Hedgehog of Doom? Are you enjoying the limelight, or are you plotting your next doomsy move to become even more famous?

SHOD: I’m so glad you asked! Interestingly, I’m enjoying taking time off my busy Villain Schedule to do some breezy press. So—let’s get into it.

RVC: Let’s!

SHOD: I ADORE being the star of my own book. While away studying the Art of the Perfect Doom and Anger 101, I took solace in some peaceful reading before bedtime. Some of my favorites included character-​driven books like Olivia by Ian Falconer and Fancy Nancy by Jane O’Connor. So naturally when Page Street Kids approached me about a memoir, I pounced at the opportunity, and I’ve enjoyed every minute of the literary limelight.

In fact, next to wreaking havoc on classroom 402, I love shaking my apple slice on the red carpet.

RVC: Oh my! Now, you’ve got an interesting motto/​tagline, Scorch. What does “doomsy” really mean to you? Is it about being scary, powerful, or something else entirely?

SHOD: Oh, that takes me back a bit, thanks for asking! As you know, I come from a very fierce lineage of doomsy ancestors (note: see page one of memoir) and so that role was firmly established at birth. Why, I remember Aunt Geraldine doing Doomsy Drills with me and 435,758 of my cousins until we could feel it from our whiskers to our claws! Ultimately, though, I’ve grown to understand the real meaning of being doomsy is different for every hedgehog. What’s truly important is knowing your authentic self.

RVC: The ending of your story leaves us wanting more. Are there any deleted scenes or scrapped ideas that you’d like to share with your fans? Perhaps a secret doomsy mission that didn’t make the cut?

SHOD: Tee hee! You sly dog. I guess you caught that this might not be the whole story after all! And yes, originally, we’d drafted a version where I “act” as if I’d changed at the end, but with a wink and a nod, and the readers understand I’m back to my doomsy ways the very next morning. No cutesy whatsoever!

RVC: You went through a lot of growth and self-​discovery in this story. Did you always know you had a softer, “awww-​dorable” side, or was that a surprise twist even for you?

SHOD: Honest to goodness, Ryan, it was a shocker. Especially to myself! I imagine it’s how the Beatles felt making “happy accidents” in the studio or during live shows. I do love the power of art that leaves room for spontaneity and self-​discovery. And I’m not alone. Just last week I was stunned to receive a letter from Oprah congratulating me on being flexible and open to change within myself.

**And yes, the rumors are true, our agents are in negotiations about us co-​authoring a book together. Stay tuned!

RVC: Awesome! Now this isn’t about the book, but I really want to know. If you could swap places with any other animal for a day, who would it be and what doomsy chaos would you unleash?

SHOD: Oh! What a question! I’ve always wanted to get up to some trouble with the sneaky Big Fish from Jon Klassen’s book, This is Not My Hat. I love the understated villainy and deadpan delivery in his work. And I’ve always dreamed about collaborating with the Lion, Great White Shark. and Timber Wolf from Aaron Reynolds Carnivores picture book. I really admire those bad guys and their predatory work on, and off, the page.

RVC: Scorch, let’s shift gears a bit and talk more about your creative collaborator, Cate Berry. Did you two hit it off right away, or was it a bit prickly at first?

SHOD: Well, truthfully, we had our ups and downs. She’s a taskmaster! Do this, Scorch. Change that, Scorch. Try it this way, no I’ve changed my mind, blah blah blah. Honestly, my paws took a beating during revisions and I’m seeing a therapist now which is really helping. But whew! Think twice before signing on with that one, class pets. And prebook a spa day with your advance once you reach copy edits. Don’t take my word for it. Just ask Penguin and Tiny Shrimp from her first book, now happily enjoying early retirement after all their hard work.

RVC: Cate’s been described as a bit of a goofball. Did she make you laugh during the writing process? Any favorite behind-​the-​scenes moments you can share with us?

SHOD: We shared a bit of a laugh refining my “moves” for the book. Seeing her act out a paw punch is one for the memory book!

RVC: We know Cate enjoys writing dialogue. Does she ever talk to you, Scorch, while writing your lines? Does she try out different doomsy voices?

SHOD: No. But her Face of Doom is incomparable. She puts mine to shame, Ryan!

RVC: Cate has written other books besides yours. Are you jealous of those other characters, or do you secretly root for them to be just as doomsy and awesome as you are?

SHOD: I vacation with the flock from her book Chicken Break every summer. Oh, we have some laughs! But those sneaky devils only show half of their trickster ways in the book. I’m hoping one day they’ll “break out” even more.

RVC: When Cate asks, which book of hers do you say is your favorite?

SHOD: I never tell her this because we really must be careful around our authors. It’s so easy for them to get a big head. But yes, I have a soft spot for Thank You, Teacher. Classroom solidarity and all that.

RVC: Which of Cate’s books is REALLY your favorite?

SHOD: Okay, you got me. Penguin & Tiny Shrimp Don’t Do Bedtime! hits me where I live. They are so bad! And the illustrator Charles Santoso is no slouch with those expressions.

RVC: We hear Cate is a teacher. Does she ever bring her students’ ideas into the books she writes?

SHOD: Gasp! One writer is all I can take. If she does, and now that I think about it, she probably does, I’d rather not know. It would only lead to more revisions!

RVC: Have you ever inspired any real-​life classroom chaos?

SHOD: Oh, I’ll never tell. J Let’s just say my friend Speedy the Hamster made quite the impression on the first day of second grade!

RVC: Cate has mentioned she’s a bit of a homebody who loves a quiet beach vacation. If you could design the perfect doomsy vacation for her, where would you take her and what would you do?

SHOD: Fabulous question, and I’ve been waiting for someone to ask me this, so thank you. I think I’d take Cate on a cruise. Being trapped on a boat, deep water encircling us, mixed with her paralyzing fear of sharks, would be the perfect set up for little old me to “shut off the engines” for a significant amount of time. It would really help Cate get in touch with her rage. That could only be beneficial to more authentic doomsy-​ness in her day-​to-​day routine.

RVC: Cate’s been working as an Editorial Assistant with me at Bushel & Peck Books. Now, it’s just you and me here, Scorch, so you can tell me the honest-​to-​doomsy truth. How’s it going for her in that role? What has she said was her favorite thing(s) to do?

SHOD: Well, I hate to divulge secrets, but she does have a mild obsession with grammar and punctuation. I think she’s positively giddy getting to edit all those extra commas and quotation marks, etc. It’s thrilling to see Cate finally have an outlet for this minutia. Saves time for the rest of us, ammiright?

RVC: Abso-​doomsy-​lutely! Now, Cate has mentioned the importance of finding joy in the creative process. What’s something she does to stay inspired and keep the doomtastic ideas flowing?

SHOD: It’s embarrassing how much she loves singing in the shower! Did you know she keeps one of those Wet Notes whiteboards attached to the shower wall? She says her best ideas come when you least expect it, so you have to be ready. Beats me. Just proves how ridiculous humans are. Why not run on the exercise wheel like the rest of us?

RVC: What’s Cate’s biggest pet peeve when it comes to writing? Does she hate typos, slow internet, or maybe overly cheerful characters who don’t appreciate a good dose of doom?

SHOD: That’s a tough one. But if I had to guess, I’d say writers settling for their first idea. She’s always going on and on about pushing yourself to find the “freshest way to tell your story.” Whatevs that means. Is she a baker or a writer?

RVC: Cate has talked about the ups and downs of the publishing world. What’s one thing you’ve learned from her about resilience and never giving up on your doomtastic dreams?

SHOD: Rage is a huge motivator, for me personally. But Cate is all about the long game. I hear her talk a lot about taking a Bird’s Eye View of her career. That and not taking any critique or rejection to heart. I’ve also heard her talk about how helpful it’s been doing editing work with you, getting to see how much editors really want a manuscript that will blow them away. It’s easy to forget that “behind the gatekeeper curtain” everyone really wants you to succeed.

RVC: If you could give Cate one piece of advice about writing for children, what would it be? Would you encourage her to write even doomsier stories, or perhaps explore a different kind of adventure?

SHOD: I am a fan of her rhyme, even though it makes her rather cranky while she’s revising. But you know me. Embrace the doom!

RVC: Finally, Scorch, what advice would you give to other hedgehogs (or humans) who are struggling to find their place in the world? Should they embrace their inner doom, or find a different path to awesomeness?

SHOD: You can never go wrong with authenticity, my friend. I’m all about accepting ALL parts of yourself. Even the cute ones (but let’s keep that off the record).

RVC: Alrighty, my prickly pal. It’s now time for the LIGHTNING ROUND OF DOOM(SY)! Hamster-​quick questions followed by hedgehog-​zoomy answers please, and since you’ve been sharper than a cactus needle so far, we’ll do a jumbo-​sized version of the LIGHTNING ROUND. Scorch, are YOU READY?

SHOD: You betcha!

RVC: What’s your go-​to karaōke song?

SHOD: Hit Me with Your Best Shot by Pat Benatar. I slay on that.

RVC: What’s your secret talent that no one knows about (besides being doomsy, of course)?

SHOD: I am obsessed with the New York Times cooking app.

RVC: What’s the most embarrassing thing Cate Berry has ever done in front of you?

SHOD: How could I choose?

RVC: What’s a question nobody ever asks you, but you wish they would?

SHOD: Do you ever let your guard down?

RVC: What’s the answer?

SHOD: NO!

RVC: If you could have any celebrity narrate the audiobook version of Scorch, Hedgehog of Doom, who would it be?

SHOD: Dame Judi Dench, of course.

RVC: If you could create your own doomsy holiday, what would it be called and how would it be celebrated?

SHOD: I think it’s high time someone retired Phil from Groundhog Day and replaced it with me and Rage Against February Day.

RVC: What word does Cate always mispell, mispel, misspel, get wrong?

SHOD: Blonde. I mean, blond.

RVC: Who does Cate believe sets the bar for picture book rhyming?

SHOD: Liz Garton Scanlon.

RVC: Who is YOUR favorite picture book rhymer?

SHOD: Grrr. I hate to agree. But Liz Garton Scanlon.

RVC: Sum up Cate’s approach to writing picture books in a hedgehog-​worthy haiku.

SHOD: Revise and revise,

             Until you want to pass out—

Oh mercy, Ryan, I’m no good at poetry. Let’s set something on fire!

RVC: It’s been a quilltastic time, Scorch. Keep spreading the doom and delight! Remember, the world needs a little more “awww” and a lot more you.

Picture Book Review: Socks: A Kid’s Christmas Lament by J.D. McPherson (illustrated by Anika Orrock)

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Socks: A Kid’s Christmas Lament
Author: J.D. McPherson
Illustrator: Anika Orrock
Walker Books US
10 September 2024
40 pages

This month’s PB review is by Ryan G. Van Cleave (Owner/​Operator of Only Picture Books) and freelance illustrator Edna Cabcabin Moran.

Ryan’s Review of the Writing

***Note: I’ve been creating picture book reviews at OPB since 2018, and this is the first one I’ve covered which is linked to a song! Witness the QR code at the front of the book which leads to the song and animations. Fun!***

JD McPherson’s picture book, Socks, adapts his song of the same name, transforming a catchy tune into a heartwarming and humorous Christmas story. The book retains the song’s core concept—a child’s comical outrage at receiving socks for Christmas—but expands upon it with a richer narrative, deeper character development, and a more nuanced exploration of holiday themes.

The rhyming text, a hallmark of the original song, remains a driving force in the book. The rhymes are playful and varied, capturing the child’s frenetic energy as they search for hidden presents. The repetition of key phrases, particularly the lament over the “lousy pair of socks,” creates a humorous rhythm that young readers will delight in.

***Want to see the lyrics of the song for yourself? Here you go!***

McPherson’s vivid language and imagery elevate the story beyond the song’s lyrics. The child’s actions are described with dynamic verbs like “creep,” “peek,” and “rifle,” painting a picture of their frantic quest. The socks themselves are imbued with personality, described as something to “insulate” the child’s boots or their failure to “beep or buzz or bop.” These details add depth and humor, making the story a joy to read aloud.

While the song ends on a lighthearted note of defiance, the book offers a more quiet resolution. The child’s anger subsides as they witness their family’s joy and realize the importance of togetherness. This shift in perspective adds emotional depth and reinforces the book’s heartwarming message.

The book’s execution occasionally stumbles in its pursuit of rhyme and rhythm. While the majority of the rhymes are charming and effective, some lines feel forced. This is particularly noticeable in phrases like “impassioned declarations” and “I ruined no vacations,” where the multisyllabic words and unusual phrasing create an uneven cadence that (to some ears/​tongues) might disrupt the natural flow of the language.

Ultimately, Socks is a testament to the power of adaptation. McPherson successfully reimagines his song, creating a picture book that stands on its own merits. The story’s humor, relatable characters, and endearing message will resonate with young readers, making it a festive addition to any holiday collection.

4.25 out of 5 pencils

Edna’s Review of the Illustrations

The minimalistic cartoon style of Socks is befitting of this song-​inspired picture book. Chock full of energy and whimsy, the pages draw you in through a playful composition of line, shape and muted color blocks deftly rendered by illustrator, Anika Orrock.

The story is centered on a nameless boy who complains of getting socks for Christmas. Readers follow along as the boy searches in vain for gifts (other than socks) as his musings lead up to a sock protest in this jazzy-​blues stylized world.

Orrock depicts the boy frantically conducting a dimly lit, early morning search and winding up in a bright, joyful reveal of family festivities and coveted gifts. The story ends with Santa and Mrs. Claus cozying up with socked feet, on a bright North Pole morning. The sophisticated yet subtle transitions and treatment of light in the illustrations are one of my favorite things about this book.

Of special note are pages 28–29 which help to usher in the story’s climax in a side-​by-​side comparison of limited-​color cityscape featuring multilingual balloons versus a stark, colorless crowd of sock-​protesters carrying signs. Kudos to Orrock’s clever typographic treatment of “SOCKS” which is incorporated into a page turn.

Kids will enjoy discovering the sub-​stories and the clever hints on the boy’s personality and interests–see the Jolly Roger skull and crossbones on different objects and the “swear jar” among other things.

Readers can check out the book’s origin by clicking on the QR Code in the book’s front matter. This will take you to the YouTube page which hosts the original song performed by author/​songwriter JD McPherson. The album’s original art show the boy and a Christmas tree–obvious inspiration for the book’s main character and illustrative style.

Overall, I found the illustrations to be a delightful throwback to mid-​century cartoons, keenly drawn and composed and loads of fun to explore–key aspects to the success of this holiday story.

5 out of 5 candy canes

Edna Cabcabin Moran is an author/​illustrator, multi-​disciplined artist, educator, and advocate for youth voices and diversity in publishing. A Filipina-​American born to immigrants and raised in a military family, Edna grew up in the USA’s east and west coasts, Iceland, and Hawai’i. She is also a dancer with acclaimed hālau hula and dance company, Nā Lei Hulu I Ka Wēkiu, and a teaching artist specializing in STEAM and integrative arts. Her latest picture book, Honu and Moa (BeachHouse Publishing), received a 2019 Aesop Accolade from the American Folklore Society.

https://kidlitedna.com

IG: @kidlitedna