Tag: David Litchfield

Picture Book List: 4 Picture Books that Kidlit Editors Often Mention—and Why They’re So Good

On By Only Picture BooksIn Picture Book Lists

While classics like Where the Wild Things Are often get the spotlight, there are many other picture books that kidlit editors frequently recommend and reference for their unique qualities. These books simply have something special about them that makes them invaluable resources for teaching, reading, and sparking joy.

So, instead of doing my normal industry insider interview this week, I’m going to share four picture books that I hear kidlit editors talk about a lot. And I’m including a few of the main things those editors often say about these books.

**If OPB readers enjoy this kind of access into what editors are thinking/​saying, I’ll look into doing more of this from time to time. And perhaps I’ll share some of the picture book titles that I frequently talk about and recommend, too.**

Alma and How She Got Her Name by Juana Martinez-Neal

Why Editors Love It:

  • Cultural and Personal Identity: This book’s focus on a young girl discovering the stories behind her names creates a rich, relatable exploration of heritage. Editors often mention its power to foster pride in one’s background and spark discussions about personal identity in a natural way.
  • Illustrative Details: Martinez-Neal’s illustrations, created in soft, warm tones and detailed pencil, evoke a sense of intimacy and family warmth. The textures and gentle lines make each page feel personal and inviting.
  • Conversation Starter: The book naturally invites readers to think about their own names and the stories they carry, making it a great tool for classroom activities and family reading time.

The Bear and the Piano - Scholastic Kids' ClubThe Bear and the Piano by David Litchfield

Why Editors Love It:

  • A Story with Layers: Litchfield’s tale explores ambition, friendship, and the bittersweet nature of success. Editors find it compelling that the story can be appreciated on different levels, offering something new for readers as they grow older.
  • Visually Stunning: The illustrations are a blend of light, color, and texture, creating a sense of magic that captivates the eye. Litchfield’s art has an enchanting quality that complements the story’s emotional arc, making it a book editors often recommend for its artistic merit.
  • Emotional Range: The narrative carries readers through a journey of joy, loss, and fulfillment, demonstrating how picture books can touch on complex emotions in a way that feels genuine and relatable.

The Invisible String by Patrice Karst, illustrated by Joanne Lew-Vriethoff

Why Editors Love It:

  • Universal Emotional Appeal: This book addresses the concept of an unbreakable bond between loved ones, no matter how far apart they may be. Editors value how it introduces the idea of emotional resilience and comfort in an accessible way that resonates with children and adults alike.
  • Simple Yet Powerful Message: The story’s clear and heartfelt message about connection makes it a favorite for social-​emotional learning. Editors point out how The Invisible String is often used as a resource to help children navigate feelings of separation or loss.
  • Approachable Illustrations: Lew-Vriethoff’s art complements the story with warm, friendly illustrations that depict diverse characters, making the story relatable to a wide range of readers. The balance between text and illustration is seamless, enhancing the impact of the book’s comforting theme.

The Rabbit Listened by Cori Doerrfeld

Why Editors Love It:

  • Simple Yet Profound: The text is simple, but its impact is significant. The book teaches young readers the power of empathy and listening without offering solutions. Editors admire this as a masterclass in using simplicity to convey deep emotional truths.
  • Universally Relatable Theme: The book’s exploration of grief and the different ways people respond to loss resonates with readers of all ages. Editors often highlight how it encourages conversation between adults and children about emotional resilience and support.
  • Illustrations That Amplify the Message: Doerrfeld’s gentle, expressive illustrations subtly add to the story’s emotional weight without overpowering the text. The use of space and character expressions enhances the message of understanding and connection.

These four titles serve as excellent examples of how picture books can be simple yet profound, funny yet wise, and always impactful. Whether you’re revisiting these stories or discovering them for the first time, they remind us why well-​wrought picture books hold a special place in the hearts and minds of readers of all ages.

Only Picture Books’ 20 Favorites of 2020

On By Only Picture BooksIn OPB Favorites, Picture Book Lists

2020 was a rough year–no doubt about it. But at least we had some first-​rate new picture books to help us through it all.

This list is our subjective ranking of 20 books OPB really liked from this past year. If we missed a great book, please take a moment to share your 2020 faves in the comment section

Great work should be recognized, valued, and encouraged.

We hope OPB helps make all that happen.

All of a Sudden and Forever by Chris Barton, illustrated by Nicole Xu (4 February 2020)

This nonfiction book tenderly handles the Oklahoma City Bombing of 1995–Barton does a wonderful job of showing how healing happens after a collective tragedy. The art by debut illustrator Xu elevates an already beautiful story.

 

Construction People by Lee Bennett Hopkins (editor), illustrated by Ellen Shi (16 March 2020)

The late Lee Bennett Hopkins assembled 14 poems about the wide range of people needed to build a city high rise. The poems are noisy and fun in all the right ways for young readers–this is a real treat.

 

Digging for Words: José Alberto Gutiérrez and the Library He Built by Angela Burke Kunkel, illustrated by Paolo Escobar (8 September 2020)

This book offers a wonderful look at Colombia while telling the amazing story of a garbage collector in Bogotá who created a library that started with a single discarded book that he found on his route. Digging for Words has solid read-​aloud potential, too, which isn’t always the case with nonfiction.

 

Evelyn Del Rey Is Moving Away by Meg Medina, illustrated by Sonia Sánchez (8 September 2020)

The first-​person present-​tense story is a believable tale of how the friendship of two girls can survive anything–including separation/​change. Sánchez’s mixed-​media art is bright, vibrant, and lovely.

 

Hans Christian Anderson: The Journey of His Life by Heinz Janisch, illustrated by Maja Kastelic (1 September 2020)

OPB reviewed this book earlier this year, and months later, we still think it’s still a standout. This story-​in-​a-​story biography is simply enchanting.

 

Hike by Pete Oswald (17 March 2020)

There simply aren’t enough quality father-​son picture books, but this one adds to that list. The adventure is nearly wordless, but the journey is marvelous for father, son, and reader. Delightful, and with just a hint of whimsy.

 

Honeybee: the Busy Life of Apis Mellifera by Candace Fleming, illustrated by Eric Rohmann (4 February 2020)

Fleming crafts language that manages to communicate the facts of the honeybee’s intriguing short life, but it’s Rohmann’s exquisite oil paint illustrations that makes this book soar. The close-​ups can easily be mistaken for photographs! Watch for the gorgeous gatefold at the very end, as well as a backmatter essay on the plight of the honeybees.

 

I Am Every Good Thing by Derrick Barnes, illustrated by Gordon C. James (1 September 2020)

There are catchy, memorable lines throughout (“I am good to the core, like the center of a cinnamon roll”) that readers will delight in. But it’s the empowering message of self-​affirmation and value here that makes this a must-​read. James’ oil-​paintings are richly textured and powerful–watch for a cameo from Barack Obama!

 

If You Come to Earth by Sophie Blackall (15 September 2020)

While the premise is intriguing (how might you introduce Earth to a visitor from outer space?), it’s no surprise that two-​time Caldecott winner Blackall’s illustrations steal the show. Her stunning attention to detail showcases the diversity of our planet in all of its glory. Simply beautiful.

If you liked Oliver Jeffers’ Here We Are: Notes for Living on Planet Earth, If You Come to Earth will likely be a hit, as well.

 

Lights on Wonder Rock by David Litchfield (8 September 2020)

In this story, Heather yearns to go to outer space. But is she truly ready to leave Earth–and everything about it–behind? I think I love this cover (and story) because it reminds me of E.T., but the graphic novel style throughout is equally compelling. Note the numerous wordless spreads that burst with delicious light and color. Litchfield is really, really good.

 

Nonsense!: The Curious Story of Edward Gorey by Lori Mortensen, illustrated by Chloe Bristol (24 March 2020)

A lyrical biography about the curious, strange man who served as inspiration for other curious, strange creatives (like Tim Burton and Lemony Snicket)? Yes, please! Of course, both the lyrical and artistic elements are positively Gorey-​esque. A generous two-​page Author’s Note helps round out a reader’s understanding of Gorey’s amazing life and accomplishments.

 

The Ocean Calls: A Haenyeo Mermaid Story by Tina Cho, illustrated by Jess X. Snow (4 August 2020)

“Haenyeo” means free diving, and we learn all about that in this lovely story where a Korean girl dreams of being a haenyeo and diving deep to grab treasures from the ocean floor, just as generations have done before, and just as her grandma does now. There’s plenty of STEM appeal here, but it’s also a sweet story about family and tradition.

 

The Old Truck by Jarrett Pumphrey and Jerome Pumphrey (7 January 2020)

The retro design is what first catches my eye, but I’m quickly taken by this eloquent ode to perseverance and grit. OPB is definitely looking forward to more picture books from the Pumphrey brothers.

 

Outside In by Deborah Underwood, illustrated by Cindy Derby (14 April 2020)

Each year, it seems OPB includes a Deborah Underwood story in one way or another, and here’s yet another fine one. The starred review at Kirkus has it right–this book is a “love letter to nature.” Best of all, Outside In isn’t preachy nor heavy-​handed. It’s (appropriately) quiet, wise, and wondrous.

 

The Paper Kingdom by Helena Ku Rhee, illustrated by Pascal Campion (18 February 2020)

What a cool book! It’s the “simple” story of a parent going to work, but it’s filtered through the wondrous imagination of a child. Yes, there’s social critique tucked away in these pages, but even if a child doesn’t get that, this book will resonate on many levels.

 

A Polar Bear in the Snow by Mac Barnett, illustrated by Shawn Harris (13 October 2020)

Children will love the in-​text questions about where this polar bear is going–it’s a great way to get them involved in the storytelling. The art is simple and charming, as is this captivating Arctic adventure.

 

The Secret Garden of George Washington Carver by Gene Barretta, illustrated Frank Morrison (14 January 2020)

I love picture book biographies–especially when it’s about someone I THINK I know, then I come to realize how much more there is to their story. That’s the case here in this dignified and interesting take on the life of George Washington Carver–a “living folk hero.”

 

The Truth About Dragons by Jaime Zollars (15 September 2020)

This debut picture book will help readers see beyond their fears to find their own strength/​inner dragon. It’s a delightful take about the anxiety of new experiences.

 

We Are Water Protectors by Carole Lindstrom, illustrated by Michaela Goade (17 March 2020)

It’s hard to say which is more captivating–the potent words of Lindstrom or the lush art of Goade. Regardless, it’s a passionate call for much-​needed environmental stewardship that shows how interconnected our world is. Simply lovely.

 

Your Name Is a Song by Jamilah Thompkins-​Bigelow (7 July 2020)

A young girl is understandably unhappy at how people mishandling her name, yet her mother teaches her about the magic and music of names…including her own. It’s a celebration of language and history suitable for all readers.