Picture Book List: 19 Fun Picture Books About the Circus

This next edition of an OPB “Bonus Monday” post is a list of picture books about the circus. And since I’m on a sabbatical, I’ve enlisted one of my kiddos to handle this post for me. Thanks for that, Valerie!


My dad asked me to answer this question. Why focus on the circus?

Here are three of many possible answers.

So, without further ado, let’s hit the big top!


The Acrobat by Alborozo (August 2013)

From Goodreads: “This is the story of an acrobat who leaves the circus in search of a new audience. He tries with all his best tricks to attract the attention of passers by, but no one is interested. Just when he’s about to give up all hope, something extraordinary happens to change his luck. Written and illustrated by a fresh new talent, this gentle and humorous story will appeal to everyone who loves a clown.”

Pages: 32
Reading Age: 3–8


Circus Caps for Sale by Esphyr Slobodkina (May 2004)

From Goodreads: “Pezzo, the hardworking peddler, is still selling caps in this delightful sequel to the beloved caps for sale. But what is that amusing performing elephant up to? And where have all Pezzo’s caps gone? Will Pezzo get them back? Esphyr Slobodkina’s classic artwork and timeless story are as endearing as ever in this new paperback edition.”

Pages: 48
Reading Age: 4–8


Circus Family Dog by Andrew Clements, illustrated by Sue Truesdell (April 2000)

From Goodreads: “Grumps is a circus dog who loves to make people laugh–all he has to do is lie down on the ground with his feet in the air and the crowds cheer and roar. But one day a new dog named Sparks joins the circus. Sparks can jump through hoops, balance a ball on his nose, and even ride on the back of a running zebra. How can an old dog with one simple trick compete with the likes of Sparks? Sue Truesdell’s exuberant illustrations capture all the excitement of circus life in this heartwarming story about friendship, family, and the universal need for acceptance.”

Pages: 32
Reading Age: 4–7


Circus in the Sky by Nancy Guettier (December 2013)

From Goodreads: “Circus in the Sky is a gorgeously illustrated tale of a little boy who believes he is the ringmaster of the night sky. Poetic and magical, it will inspire parents and kids to want to learn more of the universe and its wonders.”

Pages: 36
Reading Age: 5–6


The Circus Ship by Chris Van Dusen (September 2009)

From Goodreads: “When a circus ship runs aground off the coast of Maine, the poor animals are left on their own to swim the chilly waters. Staggering onto a nearby island, they soon win over the wary townspeople with their kind, courageous ways. So well do the critters blend in that when the greedy circus owner returns to claim them, villagers of all species conspire to outsmart the bloated blowhard. With buoyant rhymes and brilliantly caricatured illustrations evoking the early nineteenth century, Chris Van Dusen presents a hugely entertaining tale about the bonds of community — and a rare hidden-​pictures spread for eagle-​eyed readers of all ages.”

Pages: 40
Reading Age: 2–5


Circus Train by Jennifer Cole Judd, illustrated by Melanie Matthews (March 2015)

From Goodreads: “Spotlights glow—let’s start the show! As the circus train rolls into town, excited children and their parents get in line for their chance to experience the Big Top. Clowns paint faces and people scurry to their seats. Then the show begins, wrapping readers in all the wonders of the circus. Dancing elephants, flipping trapeze artists, and pie-​throwing clowns captivate both young and old. Jennifer Cole Judd’s text is a treat for the ears with its simple, evocative rhymes, while Melanie Matthews’s delightful illustrations capture the fun and spectacle of the circus. Readers will be cheering, Encore! Encore!”

Pages: 24
Reading Age: 2–6


Clifford at the Circus by Norman Bridwell (January 1985)

From Goodreads: “The circus is in town, and everything is going wrong! Emily Elizabeth and Clifford offer to help. But after taming the lions, walking the tightrope and filling in for an elephant, Clifford no longer needs to save the circus—he needs to rescue Emily Elizabeth! See how they join the circus acts and work together to save the show—and the day!

Meet Clifford and Emily Elizabeth. Clifford is big. Clifford is red. But most of all, Clifford knows how to be a good friend! Like other dogs, Clifford sometimes chases cars; unlike other dogs, Clifford catches them. Like other dogs, Clifford digs in the garden; but while other dogs may dig up a few flowers, Clifford can dig up a whole tree. Also like other dogs, Clifford chases cats—big cats, like lions! When Clifford messes up, he messes up big time!”

Pages: 32
Reading Age: 3–7


Dad Runs Away with the Circus by Etgar Keret, illustrated by Rutu Modan (August 2004)

From Goodreads: “Dad demonstrates that it’s never too late to shine in the spotlight in this quirky book about following your dreams.

The circus is in town!” Dad roared.
“And we’re all going to see it!”

Audrey and Zach are still half-​asleep — and can’t help stifling yawns — when Dad bursts in with his announcement. Dad is so excited, he starts practicing daring stunts before they even leave for the show. Under the big top, Dad’s enthusiasm is downright embarrassing, and Audrey and Zach suspect it has something to do with the generation gap. But even they could never guess just how carried away their dad is going to get! With striking graphic artwork by one of Israel’s top illustrators and comic-​book artists — splendidly showcased in a double gatefold spread — an acclaimed Israeli author brings his talents to the world of picture books for the first time.”

Pages: 40
Reading Age: 5 & up


The Farmer and the Clown by Marla Frazee (September 2014)

From Goodreads: “Whimsical and touching images tell the story of an unexpected friendship and the revelations it inspires in this moving, wordless picture book from two-​time Caldecott Honor medalist Marla Frazee.

A baby clown is separated from his family when he accidentally bounces off their circus train and lands in a lonely farmer’s vast, empty field. The farmer reluctantly rescues the little clown, and over the course of one day together, the two of them make some surprising discoveries about themselves—and about life!

Sweet, funny, and moving, this wordless picture book from a master of the form and the creator of The Boss Baby speaks volumes and will delight story lovers of all ages.”

Pages: 32
Reading Age: 2–6


If I Ran the Circus by Dr. Seuss (January 1986)

From Goodreads: “Step right up for Dr. Seuss’s classic rhyming picture-​book tale of young Morris McGurk’s big circus dreams. This circus has more than a mere lion tamer and trapeze artist! At the Circus McGurkus, you’ll be intrigued by the wink-​hooded Hoodwink, terrified by the Spotted Atrocious, and amazed by the daring feats of the great Sneelock. And these are just a few of the astonishing things you’ll find under this big top. Told with the humor and originality that are synonymous with Dr. Seuss, If I Ran the Circus is a crowd-​pleasing showstopper!”

Pages: 72
Reading Age: 1–4


Last Night I Dreamed a Circus by Maya Gottfried, illustrated by Robert Rahway Zakanitch (January 2003)

From Goodreads: “Many children dream of going to the circus, but our narrator dreams herself right into the act. She is the graceful horseback rider and the clown. The daring trapeze artist and the dancing dog. The contortionist and the roaring lion.
These stars of the circus are depicted in splendid, dramatic portraits by noted watercolorist Robert Rahway Zakanitch. Each vividly colored performer is set against a black background that invokes both a life in the spotlight and the focused landscape of dreams. Poetic and spare, the text invites readers to extend the story in their own imaginations–in their own circus dreams.”

Pages: 32
Reading Age: 3–6


Little Pearl’s Circus World by Charmain Zimmerman Brackett (November 2014)

From Goodreads: “Little Pearl started performing with her father’s circus when she was 4 years-​old. Join Pearl for a day in her world.”

Pages: 28
Reading Age: 3–6


Lola the Lollipop Fairy by Tim Bugbird, illustrated by Lara Ede (February 2022)

From Goodreads: “Lola the Lollipop Fairy is an amazing circus performer! The lollipop fairies have a good time performing for their fellow fairies and their show has always been very popular. But disaster looms for Lola’s circus when a rival entertainment park comes to town and threatens the fairies’ future. Find out what happens as Lola works hard to create a dazzling show that will amaze their audience and make their circus popular again.”

Pages: 32
Reading Age: 3–6


Olivia Saves the Circus by Ian Falconer (October 2001)

From Goodreads: “Step into the ring with Olivia, where the lights are dim, the color soft, and a little girl’s imagination is the main attraction.

Olivia remembers her trip to the circus very well. The performers were out sick, so she had to do everything. She…

-rode on a unicycle
‑jumped on a trampoline
‑juggled five balls!
‑tamed lions
‑and flew through the air.”

Pages: 44
Reading Age: 2–5


Sandy’s Circus by Tanya Lee Stone, illustrated by Boris Kulikov (September 2008)

From Goodreads: “As a boy, Alexander (Sandy) Calder was always fiddling with odds and ends, making objects for friends. When he got older and became an artist, his fiddling led him to create wire sculptures. One day, Sandy made a lion. Next came a lion cage. Before he knew it, he had an entire circus and was traveling between Paris and New York performing a brand-​new kind of art for amazed audiences. This is the story of Sandy?s Circus, as told by Tanya Lee Stone with Boris Kulikov?s spectacular and innovative illustrations. Calder?s original circus is on permanent display at the Whitney Museum in New York City.”

Pages: 40
Reading Age: 6–8


The Secret Circus by Johanna Wright (March 2009)

From Goodreads: “THE GREATEST little show ON EARTH

The secrets of Paris revealed from the ground up.

Beneath the sparkling lights of Paris is a circus so secret that only the mice know how to find it. Floating by balloon across a Parisian cityscape they travel to the grand performance, where tiny acrobats form mouse pyramids and giant housecats are tamed. Wright’s simple expressive lines over glowing textures make this a captivating and adorable book debut, not to mention one great show.”

Pages: 32
Reading Age: 2–6


Sidewalk Circus by Paul Fleischman, illustrated by Kevin Hawkes (May 2007)

From Goodreads: “Ladies and gentlemen, boys and girls! Step right up and witness an astounding assemblage of tightrope walkers, strong men, sword swallowers, and clowns. The Garibaldi Circus is coming soon, but for those with clear eyes, the performers may already be in the ring. So get ready to sharpen your vision and look very closely — a show like you’ve never seen is about to begin! The creators of WESLANDIA are back in the spotlight with a spectacular, wordless picture book that shows the transformative power of imagination.”

Pages: 32
Reading Age: 5–9


Skippyjon Jones: Cirque de Olé by Judy Schachner (October 2012)

From Goodreads: “In his newest adventure, the irresistible Skippyjon Jones swings out of his closet and into the spectacular Cirque de Olé, where his pals, the Chimichango gang, perform feats of derring-​do. There are many acts to see, but only Skippito the Strong can perform the trickiest stunt of all. Judy Schachner’s vivacious art and riotous text make for mucho read-​aloud fun.

Come one, come all–with Skippyjon Jones as the circus star, the Greatest Show on Earth just got even better!”

Pages: 32
Reading Age: 3–6


Your First Day of Circus School by Tara Lazar, illustrated by Melissa Crowton (May 2022)

From Goodreads: “Ladies and gentlemen, boys and girls of all ages! It’s the most amazing day on earth: the first day of school! It can be a daunting prospect, but don’t worry — your big brother can show you the ropes. Join a nervous boy and his enthusiastic older brother as they navigate the highs and lows of a first day at school … except this school is a big top, and the teacher is named Miss Stupendous, and the cafeteria can be a zoo, literally! It turns out, school isn’t so scary when you can let off steam during recess (on a steam train) and walk on stilts to all of your classes. With a bit of help from family and some new friends, you’ll make it to the top of the class in no time! This charming take on school readiness will delight new school-​goers and take a bit of the fear out of those first-​day jitters.”

Pages: 32
Reading Age: 3–7

Author/​Illustrator Interview: Marla Frazee

It’s always a treat when we get a picture book author who illustrates as well, and that’s exactly what we have with our January interview with Marla Frazee. (Witness two Caldecott Honors for her fine illustration work!) She was born and raised in LA, and has three grown sons who are off in the world, making her proud.

To get to know her a little bit better, let’s play seven truths and one lie. Here we go!

Marla:

  1. created the artwork for Sara Pennypacker’s bestselling Clementine series.
  2. had a childhood pet—a dog named Pappy who ran away at top speed every chance he got.
  3. refused to go to nursery school (and found kindergarten terrifying!).
  4. had to go to detention for wearing a clown costume to a high school assembly.
  5. was a contestant on Art Linkletter’s “Kids Say the Darnedest Things” TV show.
  6. has a Little Free Library in her front yard.
  7. authored The Boss Baby, which was adapted into a Dreamworks movie of the same name.
  8. works in a red-​doored studio in her backyard beneath an avocado tree.

Want to know which one is the falsehood? Read on and find out! The answer will be in the interview below.


RVC: What was the picture book that set you on the path to being a picture book maker?

MF: It was, without a doubt, Where the Wild Things Are. I was 8 years old when it came out. I loved books, loved to draw, and was already planning to be a children’s book author and illustrator, but the moment I saw Max’s bedroom turn into a forest in just three page turns, well… it sealed the deal. I just wanted to learn how to make that sort of magic happen.

It’s still my favorite book of all time and I’m still trying to figure out how Sendak did what he did in it.

RVC: I’m sure you’ve been asked this before—are you a writer who does art, or an artist who writes? 

MF: I’m an illustrator who tells stories with pictures—and often words.

RVC: What kind of training did you have for your writing and your art?

MF: I went to ArtCenter College of Design in Pasadena, CA, and received a BFA in Illustration. I’ve attended as many SCBWI (Society of Children’s Writers and Illustrators) conferences as I could. I’m also a long-​time subscriber to The Horn Book Magazine which has given me a sense of both publishing history and its current state, notable books and the people who make them, and some understanding about why certain books get great reviews and others don’t. When I had children and read a bazillion books to them over the years, I developed my own passionate opinions about which children’s books worked and which didn’t. That’s been my training!

RVC: It took a while for you to break into picture books.

MF: It did take a while! No one could ever say I was an overnight success!

RVC: What kinds of things did you do along the way before landing that first book deal?

MF: I worked at Disney Studios after I graduated and quickly realized it wasn’t for me. I quit after 6 weeks to become a freelancer—and that’s what I’ve been doing ever since. In the years after that, I did whatever kind of illustration job I could get: textbook and mass-​market books for kids, editorial illustration, advertising, greeting cards, and stuff like McDonald’s Happy Meals boxes and kid-​friendly mascots for every team in the National Football League. But during all those years, I was trying to get published. I just wanted to make picture books.

RVC: You’ve had incredible success as an illustrator for picture books, having received a Caldecott Honor for All the World and A Couple of Boys Have the Best Week Ever. How aware were you of those books being special during their making?

MF: I’m not sure how this will sound, but I always think the book I’m working on is special. If I don’t, I’ll keep revising until I do. And if I still don’t, as painful as it is, I put it away. The thing I am most surprised about, honestly, is which of my books do end up connecting more than others. I am the worst judge of how a book of mine will do once it is out in the world.

RVC: Liz Garton Scanlon did an interview with OPB in 2018—she’s terrific. What was the biggest challenge you faced in illustrating her manuscript All the World?

MF: Liz IS terrific. I’m with you on that!

RVC: Absolutely!

MF: Back to the previous question, I was immediately aware that her manuscript for All the World read like a classic. The biggest challenge I faced was getting my head around the title. I mean, a book about ALL the world? I knew I couldn’t illustrate a book about all the world. So I thought about what it was like to feel a part of the world—to be somewhere you love with people you love—and illustrated that.

It took a while to figure out. I dumped a nearly finished sketch dummy and started over. Our editor, Allyn Johnston of Beach Lane Books, kept both Liz and me on track through a number of revisions. Allyn had a sense of the emotional power of All the World from the start. She was instrumental in how that book came to be.

RVC: How is the process different with illustrating your own books versus the books of others?

MF: I love alternating between doing one of my own books and then illustrating someone else’s words. The process is very different. If it’s my own, I’m moving back and forth between pictures and words. It’s usually a big mess and I often don’t know it will come together. On the other hand, when I say yes to a manuscript, it’s already written. And it intrigues me, challenges me, and isn’t anything that I could’ve come up with myself. My job is to bring the picture story to a place where it is an equal partner to the words. It feels acrobatic.

RVC: How many books are you typically working on at the same time, and how long do they generally take?

MF: I typically work on one book at a time and once I’m actively in process (as opposed to marinating), each book usually takes a year.

RVC: Let’s talk about Boot & Shoe. On one paw, it’s a funny dog bromance, but on the other paw—like so much of your work—there’s wit and wisdom, as well. How did this interesting story come about?

MF: Ha! Well asked!

Let’s see. I was teaching my Children’s Book Illustration class at ArtCenter, something I’ve done on and off for 25 years, and I listened as a student read Blueberries for Sal to the class. I love that book and it’s been a major influence in my own work, but this was the first time since I was a child that anyone read it aloud to me. I was thinking about how hilarious it is when we, the reader, know what’s going on but the characters don’t. Little Sal is following Little Bear’s mom and Little Bear is following Little Sal’s mom, and they don’t know it yet! But we do!

I decided right then that I wanted to make a book like that. I remembered how fun and funny it was to play hide-​and-​seek around a tree; one person going one way, the other person going the opposite way. That’s how the idea started.

RVC: Which of your books surprised you the most in terms of how it came out?

MF: The Boss Baby was one of the hardest books to figure out. It was funny in concept but unfunny for a long time in execution. The baby character needed to be cute, but not-​cute. The tone needed to be understood by a child, but sophisticated. The setting needed to be contrived, but realistic. I almost gave up on it. Obviously, I’m very glad it finally worked.

RVC: I think it’s fair to say that you might be best known–beyond the kidlit world—for The Boss Baby movie. How did that all happen?

MF: I heard that DreamWorks animation was interested in optioning The Boss Baby right before the book was published. I was thrilled, of course, but didn’t take this to mean a feature length film would actually be made. I know there are a lot of hurdles. But we just kept hearing good news about where it was in first the development process, and then in the production process.

During these years, DreamWorks invited me to the studio a number of times to meet the filmmakers and see the progress. It was an incredible experience to watch how much love, care, and talent went into it all. I always left completely blown away and inspired.

RVC: Just the other day, I saw that the movie sequel is coming out in late 2021, and there’s the Netflix TV show that’s been going for a few years now. How involved are you in the spinoffs?

MF: I was invited to see the sequel a few months ago when it was about 60% finished and had a great conversation with the producer afterward, but I have no creative involvement with the Boss Baby films or TV show. I’m more like a soccer mom. I sit on the sidelines and cheer.

RVC: You once said that kids read the pictures in a picture book in a way that adults no longer can. What does that mean? 

MF: Kids really read pictures. For story. For meaning. They see everything. No detail escapes them. They’re experts at it.

I think that once we learn to read words, this picture-​reading skill lessens and words take precedence. By the time we’re grownups, we aren’t all that great at reading pictures. We see them, sure, but we don’t study them the way kids do. I feel honored and humbled to be working for an audience of picture-​reading experts.

RVC: You’re really good at working the page turn—something would-​be picture book writers often ignore or struggle with. What’s your secret?

MF: What a nice thing to say! I work on thumbnails sketches for months and months to get the pagination right. The picture book form is a beautiful challenge and the page turn is one of its most unique and important features.

RVC: One final question for the “serious” part of the interview. What’s something you’re working on now that you’re really excited about?

MF: I’m trying to get a project to work. And I’m afraid it might not work. So “excited” isn’t something I’m feeling yet. More like determined. I’m really determined. I can’t talk about it yet.

RVC: I understand completely. With my own writing, I keep things quiet until that’s no longer an option, one way or another. Best of luck with it!

MF: Thanks!

RVC: Okey dokey, Marla. You’ve been waiting for it, and now it’s here—the Speed Round! Zoomy questions and zippy answers, please! Are you ready?

MF: I’m not too zippy, but sure…

RVC: Star Trek, Star Wars, or Stargate?

MF: None of the above. But have you ever seen the 2012 Sean Baker film Starlet? I loved that!

RVC: Best place in Pasadena for California pizza? 

Casa Bianca Pizza Pie in Eagle Rock (which is Pasadena-​adjacent; the neighboring town). Get the eggplant pizza.

RVC: Who would’ve been your Dream Author to illustrate for? 

MF: Ruth Krauss.

RVC: What’s your go-​to art tool?

MF: An eraser, maybe? I erase A LOT!

RVC: What’s the last picture book you read that totally WOWed you?

MF: I was blown away by The Important Thing About Margaret Wise Brown, written by Mac Barnett and illustrated by Sarah Jacoby. The way it was written and the way it was illustrated and the person it is about. My god. I felt that it was an innovative and expertly crafted as Margaret Wise Brown’s work was and because of that, it honored her legacy in every way possible.

RVC: Three words that sum up your picture book philosophy.

MF: Go for emotion.

RVC: Thanks so much, Marla! And for those who really want to know which of the bio “facts” in the introduction was actually a falsehood, the answer is…

MF: I wasn’t on Art Linkletter’s TV show, but my best friend Lisa Gilden was. She won a bunch of prizes that we played with together. I recall a toy vacuum cleaner and a croquet set. Obviously the croquet set was more fun!

RVC: For those of you who didn’t notice, the above falsehood means that Marla WAS sent to detention “for wearing a clown costume to a high school assembly.” And Marla was nice enough to include a photo by way of proof. What better way to end this interview than that? Thanks, Marla!!

Picture Book List: 12 Great Picture Books About Mothers

With Mother’s Day just around the corner, it seems more than appropriate to sit back and take a good, long look at some of the best picture books featuring mothers of all types.

This is not an exhaustive list of every single picture book written by, about, for, or including mothers–there are MANY quality ones out there. The 12 included in this list are simply a small selection of OPB favorites.

Enjoy! And happy Mother’s Day!


Hair for Mama by Kelly A. Tinkham (illustrated by Amy June Bates)

It’s Family Photo Time, yet Mama doesn’t want her picture taken because she’s embarrassed. The chemo she’s receiving to treat her cancer has made her hair fall out. Leave it to eight-​year-​old Marcus to come up with a plan because it won’t be the same without her.

 

My Monster Mama Loves Me So by Laura Leuck (illustrated by Mark Buehner)

This rhyming bedtime story is sure to please young readers. Sure, it’s fine for Halloween, but this monster mama’s love is worth reading about any time of the year. Be warned: your kids might soon be asking for lizard juice on ice or cookies with bugs!

Enjoy a video read-​aloud of My Monster Mama Loves Me So.

 

The Kissing Hand by Audrey Penn (illustrated by Ruth E. Harper and Nancy M. Leak)

First published in 1993, this book is widely used on the first day of school in kindergarten because it helps kids feel reassured anytime the world feels a little bit scary. Young readers will enjoy learning about Chester Raccoon’s secret–the kissing hand–that makes a new experience (like the first day of school) feel just as safe and cozy as being home with family.

Enjoy a video read-​aloud of The Kissing Hand.

 

Mama’s Saris by Pooja Makhijani (illustrated by Elena Gomez)

Mom has a suitcase full of silk, cotton, and embroidered saris, and when her daughter finds them, she wants to dress in those beautiful garments too. Of course, Mom understands this, and for the child’s seventh birthday, Mom allows her to dress beyond years–just for one magical day.

This sweet book captures every child’s wish to be just like their parents.

 

My New Mom & Me by Renata Galindo

If you’re looking for a book about nontraditional families, this is a great place to start. This emotional tale about a cat mom and a dog child (he’s a bit older than one might expect) is a good conversation-​starter for foster or adoptive school-​aged kids. I dare you not to feel weepy when the dog paints on stripes to be more like his new mom, and she washes them off because “She likes that we are different.”

 

Did I Tell You I Love You Today? by Deloris Jordan and Roslyn M. Jordan (illustrated by Shane W. Evans)

I’m from Chicago, so I can’t help myself. This book–written by basketball legend Michael Jordan’s mother and sister–has to appear on this list. It does a very good job at showing the routines that effective parents have, even if you’re not a big fan of the Chicago Bulls or Michael Jordan (the greatest basketball player ever).

Kirkus call it a “tender read-​aloud.” OPB agrees.

Enjoy a video read-​aloud of Did I Tell You I Love You Today?

 

Mommy, Mama, and Me by Lesléa Newman (illustrated by Carol Thompson)

Many know Lesléa Newman for her groundbreaking book Heather Has Two Mommies and for her terrific interview at Only Picture Books! 🙂

Using rhythmic text and striking mixed-​media illustrations, this book shares the gentle, nurturing relationship of a lesbian couple and their little child. It does not get preachy or overly philosophical–it simply presents the clear, honest love that parents have for their child.

Enjoy a video read-​aloud of Mommy, Mama, and Me.

 

Mom School by Rebecca Van Slyke (illustrated by Priscilla Burris)

From the publisher: “Imagine what would happen if moms went to Mom School! In this adorable kid’s‑eye view of what would happen if Mom went to school, a little girl imagines Mom School, where all moms learn their amazing skills, like fixing a bike tire and baking cupcakes. With warm, funny illustrations and a fun role-​reversal story in which moms act like kids, young readers will love imagining what would happen if their own moms went to Mom School.”

 

Is Mommy? by Victoria Chang (illustrated by Marla Frazee)

From poet Victoria Chang comes this irreverent tale about toddlers and mommies that’s ultimately an insightful look on motherhood from a kid’s point of view. “Is Mommy fun or boring? BORING!” Spoiler: toddles love their mommies anyway. No matter what.

 

Just Like My Mom by David Melling

The mischievous lion cub in this story wants to show how he can act just like his mom. When it comes to bedtime, though, no one’s as terrific as she is. Melling is one of the UK’s best-​loved author/​illustrators. Check out Just Like My Mom (the Australian version is called Just Like My Mummy) and see why.

Enjoy a video read-​aloud of Just Like My Mom.

 

Mother Bruce by Ryan T. Higgins

Leave it to Ryan T. Higgins to create a fresh take on the “Are You My Mother?” tale. In this and Higgins’ other Bruce titles (5 total so far), poor Bruce just wants to have a good meal. But sometimes when you plan on having hard-​boiled goose eggs for dinner, things go sideways. Yet even a grump like Bruce can summon maternal instincts when a group of goslings decide he’s their mommy. To no one’s surprise, Higgins’ illustrations are (once again) hilarious and captivating.

Enjoy a video read-​along of Mother Bruce.

 

The Runaway Bunny by Margaret Wise Brown (illustrated by Clement Hurd)

In this classic (first published in 1942, it has never been out of print), a young bunny chooses to run away. “If you run away,” his mother says, “I will run after you. For you are my little bunny.” And so the imaginary game of chase begins. Generations of readers have fallen in love with this story’s reassuring words and soft, gentle pictures.

Enjoy a video read-​aloud of The Runaway Bunny.