Editor Interview: Kathleen Merz (Eerdmans Books for Young Readers)

Kathleen Merz - Editorial Director - Eerdmans Books for Young Readers ...Welcome to Kathleen Merz, Editorial Director at Eerdmans Books for Young Readers. We bumped into each other at the ALA conference a few months back in San Diego, and hearing her speak about her books and their creators told me all I needed to know–she had to join me for an OPB interview.

What do we need to know about her before we dive into the interview? Try this!

Kathleen joined Eerdmans in 2009 and has since worked on numerous award-​winning titles, including books that have been awarded the Batchelder, the Sibert Medal, and the Caldecott Honor. With a background in English and linguistics, she has a particular love for translated works and nonfiction picture books. She’s drawn to stories that celebrate diversity and thoughtfully address contemporary social issues in ways that feel organic, compelling, and honest. Outside the office, you can usually find Kathleen enjoying the outdoors in Michigan—whether she’s biking, kayaking, camping, or curled up in a hammock with a good book.

With that, let’s jump right into the interview!


RVC: Let’s circle back to the beginning. At what point did you realize you were going to have a career in books?

KM: I’ve been a literature nerd since high school. In college, I was an English major with a linguistics minor and a Latin double major. When you’re an English major, everyone always asks, “What are you going to do with that—teach?” I knew teaching wasn’t for me, but I was interested in publishing. Senior year, one of my professors passed my resume to someone at Eerdmans, where there was an opening in the children’s department. I hadn’t seriously considered a career in children’s literature before, although I’d taken a course on it, but I jumped on the opportunity. I’m so happy I did because I love it and can’t imagine being as happy in any other branch of publishing. Despite the uncertainties, thin margins, and all that, it’s been a great fit.

RVC: Your story is a bit unusual! Most people in the industry hop around different places, but you’ve been with Eerdmans for 15 years. What’s kept you there so long?

KM: I know, it’s rare to stay with one publisher for so long. I love that Eerdmans is based in Michigan, which is my home state, and I like working for a small indie press. The team is great, and the books we publish are unique—quirky international titles, beautifully illustrated works, and thoughtful stories. Being part of a small press means I get to have my hand in everything, which I love. I feel fortunate to have stumbled into this job.

RVC: What does it mean to be an Editorial Director, and what role do you play in submissions at Eerdmans?

KM: We’re a small team. It’s me, our Associate Editor, our Art Director, our Publisher, and the sales and marketing team we share with the rest of the company. In my role, I manage the editorial side of the program, and some parts of the program as a whole.

For submissions—we’re open to unsolicited submissions, and our guidelines can be found on our website. Our Associate Editor does the first read of most of those unsolicited submissions and filters them through. I work on every project we publish, though, whether I take the first read through it or not. (If submissions to us are simply addressed to “Acquisitions Editor,” they’ll find their way where they need to.)

RVC: How many books do you publish per year, and how many submissions do you receive?

KM: We publish around 18 to 20 books a year, with two seasons of about 8 to 10 books each. Over half of those come from international publishers, so we’re looking at just 2 or 3 U.S.-originated books per season. In terms of submissions, I’d estimate we receive about 3 to 6 submissions a day. Out of all those, only a small handful—maybe one every couple of years—makes it from the slush pile into publication.

RVC: What’s the process like for acquiring books from other countries? How does that happen?

KM: A lot of it happens through international book fairs, especially the Bologna Book Fair, which is a major event for children’s publishing. Our publisher attends, and she has about 50 meetings over four days with different agents and publishers. We also receive projects year-​round. We’re always on the lookout for publishers around the world who are doing interesting work. A lot of these books happen because of relationships—connections that we create with publishers, agents, or translators whose projects we admire and whose taste we trust.

RVC: You seem to have a soft spot for translated books. What’s the appeal?

KM: I love them because they open up a bigger world. One of the best things children’s books can do is crack open a wider world for young readers, introducing them to new perspectives, experiences, and ways of living. Translated books offer that in spades. And while these books showcase differences, they also highlight our shared humanity. In a world where there’s often fear of the “other,” international book can remind us of powerfully of what connects us all.

RVC: Can you share a book that illustrates this effectively?

KM: Absolutely! One book we’re publishing is The Cat Way, which is a translation from Swedish that tells the story of a character who goes for a walk each day with their cat. They’re always the one to lead—until one day the cat asks, “Why do you always get to lead?” The next day, the cat leads the way—down paths the human would never have chosen to take. But it turns out there are some beautiful surprises that come with letting go of control. It’s quirky and gorgeous, and I hope it will make readers stop to ponder what life might look like if they’re willing to see things from other perspectives.

RVC: Let’s talk about your editorial style. How do you approach working with authors, especially for translated projects?

KM: No matter the project, the editorial process moves from the big to the small. We start with macro edits—overall structure and flow—then move to more granular things like line edits and copy edits. For translated books, we’re usually working with books that have already been published—so those big-​picture edits have already been done. We usually can’t change much at that level, though there are exceptions. So for translations most of my work is on the level of line edits and copy edits. For U.S.-originated projects, I’m doing all the different levels of work.

For any book I’m working on, I see my role as a curious, engaged reader. I pay attention to how a text holds my attention, and I look for the places where I’m pulled out of a story because of issues—whether it’s inconsistencies or awkward phrasing or confusing language. I try never to tell an author exactly how to rewrite. At the end of the day, it’s their writing, not mine. But I can ask questions, and offer some potential ways forward—and hopefully in the end the text is stronger than either of us could have found our way to on our own.

RVC: What’s a book you’ve worked on recently that challenged you in unexpected ways?

KM: Every project has its own set of unique challenges. Maybe the challenge is getting a character’s voice just right, or making sure the pacing doesn’t lag, or figuring out how to translate onomatopoeia or wordplay that works differently in another language. The fact-​checking that nonfiction books require always adds an extra layer of complexity, and often sends me down editorial rabbit trails that I might not have anticipated. We spent more than a few hours checking and re-​checking several pages of scientific names for Kingdoms of Life. And I know way more about Ediacaran lifeforms than I would have if I hadn’t worked on How the Sea Came to Be!

RVC: What was the first picture book you ever worked on?

KM: The first book I remember working on—and then getting to hold in my hands when it arrived from the printer—was a collection of stories about saints, written and illustrated by Ruth Sanderson. We had previously published it and were reformatting it, so I only did some light edits, but I still remember that first time I got to feel the thrill of holding a book I helped make.

RVC: What was it like working on The Right Word, a Caldecott Honor book?

KM: It’s still one of my favorite projects. Jen Bryant and Melissa Sweet are brilliant creators and wonderful to work with. Jen and Melissa had worked together on A River of Words before, so they had a strong rapport. The process was very collaborative, with lots of revisions. Peter Mark Roget had a life jam-​packed with fascinating details, so we had a lot of work trimming the story down to the core material. There was a lot of back-​and-​forth, shaping and honing the story and the art, and seeing it come together was just beautiful.

RVC: What do you think of the current state of children’s literature?

KM: I love that the industry has finally recognized the need to reflect the full range of people reading these books. The push for diversity and inclusivity has reshaped books being published—it’s been a long time coming and there’s still so much work to do (especially diversifying the industry itself), but it’s exciting and necessary work. It’s opened the door for a much more interesting range of stories to be told.

At the same time, the rise in book bans is incredibly frustrating. It’s another huge issue in the industry right now. I give credit to authors and publishers for standing their ground and continuing to publish important books despite the challenges, but there’s inevitably some quiet censorship that happens anyway. Educators and librarians are having to be much more cautious about the books they order, and that affects publishers across the board. And so many professionals risk losing their jobs if they dare to speak up. This is a major ongoing challenge that we all have to keep fighting against.

RVC: Since COVID, I’ve always tried to ask a health and wellness question, so here’s yours. What do you do to recharge when you’re not working with books?

KM: Anything that I could do outside. I love backpacking, camping, biking, and oh…I just had the trip of a lifetime!

RVC: Do tell!

KM: My dad grew up in California, and when he was in his early 20s, he backpacked to this one lake in the Sierras a couple times. For as long as I can remember, ever since I was a little kid, I remember him talking about Sky Blue Lake, and my sister and I have always wanted to go back there with him. Last month, we finally made it happen. We went backpacking up in the Sierras with my dad to this place that he’d gone to decades ago, and it was an incredible trip. Our world is staggeringly beautiful, and I love getting the chance to go out and see parts of that.

RVC: What’s one thing you wish literary agents understood better about your job?

KM: How guilty I feel not getting back to them more quickly! I wish that I were able to answer all the emails I get as soon as they land in my inbox, but…you know.…

Thankfully, most people are pretty gracious about that.

RVC: I quite agree. Most agents are terrific. Now, what’s the most common misconception people have about editors?

KM: Sometimes, especially with early-​career writers, I notice certain personalities can be very protective of their writing, even threatened by suggestions for change. I get it—it’s tough because this work is their baby, something they’ve spent months or years on. What I often want to gently whisper in their ear is that we’re all on the same side. As an editor, my goal is to help make the best book possible and ensure it finds success in the world. I’m human and fallible, and I have limited time, which brings certain restrictions, but at the end of the day, my aim is the same as theirs: to create the best book we can.

RVC: What’s the most important thing people should know about Eerdmans?

KM: We’re small, we’re independent, and having such a small list means we’re deeply invested in every book we publish. Bigger publishers have their A, B, and C lists, where only the top books might really get much focus. But since we only publish 8 to 10 books a season, they all have to be good, and they’re all very important to who we are. We tend to keep books in print for a long time. We’re committed to taking on projects that really stand out, and doing them justice by making the highest-​quality books we can.

RVC: Complete the following sentence: “Kathleen Merz is an editor who…”

KM:…is very passionate about the books I work on. I love the chance to continue learning and discovering stories I didn’t even know were out there.

RVC: It’s brag time! What are some forthcoming books you’re excited about?

KM: One book from our Spring 2025 list that I’m particularly excited about is A Universe of Rainbows, a poetry anthology by Matt Forrest Esenwine, illustrated by Jamey Christoph. It’s gorgeous and explores all the different ways rainbows appear around the planet—the rainbows in the sky you think of first, of course, but also rainbows in rivers and hot springs and mountains and plants and animals. It’s a wonderful cross-​section of our planet’s beauty, and along with the poems there are sidebars and back matter full of information for kids to dive into.

The rest of the Spring 2025 list is fantastic too. A few highlights: We’ve got a sly detective/​murder mystery picture book (Ramon Fellini the Dog Detective). We’ve got a story about refugees that uses the imagery of knitting—and plenty of yarn in the art—to describe what it’s like for a life to unravel and need to be knitted back together (Thread by Thread). And we’ve got a book about a dog who whose energetic personality keeps him from being adopted, until he finds the perfect fit working as a conservation dog (Trouble Dog).

RVC: Okay, it’s time for the speed round now. Fast questions and speedy answers, please. Are you ready?

KM. Sure!

RVC: If you could only have one app on your phone, what would it be?

KM: Maps–definitely.

RVC: What movie quote do you use on a regular basis?

KM: Probably Monty Python and the Holy Grail: “And there was much rejoicing.”

RVC: What makes your eyes roll every time you hear it?

KM: Business jargon—like when people say, “I don’t think we have the bandwidth for that.” I cringe even when I catch myself using it!

RVC: Five things you couldn’t do your job without?

KM: Tea, curiosity, a thesaurus, my floofy cat colleague, Misha, and a good walk to clear my head when I’ve been staring at a computer screen too long.

RVC: What’s a picture book from the past year that didn’t get its due?

KM: So many great possibilities. But I’ll mention John the Skeleton. It actually just came out this month, so maybe it will get its due—but I’m going to guess that even still many of your readers may not come across it. It’s a translation from Estonian about a retired classroom skeleton who goes to live with an elderly couple on their farm. We actually looked at this one a few years ago, and I’m so glad that it’s been published in English. It’s delightfully strange—and also funny and tender and profound.

RVC: If you had a dream picture book tea party with three other picture book people–authors, illustrators, or characters from picture books–who would it be?

KM: I’ll go with three creators I think are brilliant (as long as they don’t mind me spending the tea party pestering them with questions): Sydney Smith, Christian Robinson, and Candace Fleming. I’ll also say that I’ve had tea with Melissa Sweet, and it was an absolute delight—so she’s got a standing invite to any tea party I’d throw, too.

RVC: What’s the best compliment a kid ever gave about a book you worked on?

KM: Not a compliment from a kid, per se, but the reaction that comes to mind first is something that a school librarian told one of my colleagues at a conference. We recently published a book called A Star Shines Through. The author is Russian, and when Putin invaded Ukraine, she and her family fled, leaving their apartment behind and moving to Israel, and later to Montenegro. The book comes from that experience—it’s about a mother and daughter fleeing their home because of war and settling in a new, unfamiliar place. Everything feels foreign to them: the food, the language, the buildings. In their old home, they had a star-​shaped lamp in the window, and one day in the new place, the mom brings home the makings of a new star lamp. They create it together, finding a small way to make the new place feel like home.

What the librarian told my colleague was that he knew exactly the kid he wanted to share the book with: a refugee student of his who was struggling to make a home in an unfamiliar city, and had started coming to the library because it felt like a safe space. There’s no better compliment and no better reason we do what we do than hearing that someone has the perfect child in mind for a book. That’s why we do it.

RVC: Great answer. Thanks so much for your time, Kathleen!

Only Picture Books’ 23 Favorites of 2023

Well, we’re now fully into 2024, which means I now have 100% of the picture book options from 2023 available to read and rave about. In no particular order (save alphabetical!), here are OPB’s 23 favorite picture books from 2023.

People sometimes ask how I pick these books. I have the following listed on the SUBMIT PBs tab above as my overall criteria for including a book on the blog:

  • Books that have heart.
  • Books that resonate.
  • Books that are skillfully done.
  • Books that matter.

To be a Best of 2023, though? I’m looking for even more, such as:

  • Engagement of the Imagination: Books that spark creativity and wonder, inviting young minds to explore new worlds and ideas.
  • Emotional Detail and Complexity: Stories that navigate a spectrum of feelings with nuance and depth, resonating with both young hearts and mature minds.
  • Exceptional, Vivid Writing: Narratives that are not only beautifully penned but also vibrant and evocative, creating lasting impressions.
  • Interplay Between Text and Image: A harmonious and enriching balance where words and illustrations enhance and echo each other, creating a unified storytelling experience.
  • Relevance and Timelessness: Something that speaks to the present moment while holding enduring appeal for future generations.
  • Re-​readability: Titles that invite repeated enjoyment, revealing new layers and joys with each reading.
  • Visual Storytelling: Illustrations that don’t just accompany the text but enrich the narrative, adding dimensions of meaning and engagement.

Yeah, that’s a tall order. I quite agree. But doing so many good things at once is how you get on a Best of list.

Now, any list like this is wildly subjective despite my lists above, so plenty of worthy books won’t appear here. If I missed your favorite, my apologies! Feel free to note those in the comments on this post. Perhaps I’ll be able to work them into a future roundup or list of one type or another.

Since this is running in OPB’s usual monthly Picture Book Review slot, I’m including my own 5‑word reviews for each title along with a link to the appropriates Goodreads page.

Here we go!


Autumn Peltier, Water Warrior by Carole Lindstrom, illustrated by Bridget George (19 September 2023)

OPB Five-​Word Review: Tidal wave of change inspires.

Goodreads Reviews


Beneath by Cori Doerrfeld (17 January 2023)

OPB Five-​Word Review: Hidden depths, revealed with love.

Goodreads Reviews


The Book from Far Away by Bruce Handy, illustrated by Julie Benbassat (15 August 2023)

OPB Five-​Word Review: Wordless wonder: cosmic book connection.

Goodreads Reviews


Butt or Face? by Kari Lavelle (11 July 2023)

OPB Five-​Word Review: Guessing game with cheeky charm.

Goodreads Reviews


Cape by Kevin Johnson, illustrated by Kitt Thomas (20 June 2023)

OPB Five-​Word Review: Grief, memories, and hope entwined.

Goodreads Reviews


Friends Beyond Measure by Lalena Fisher (28 February 2023)

OPB Five-​Word Review: Friendship visualized through graphic design.

Goodreads Reviews


Grief Is an Elephant by Tamara Ellis Smith, illustrated by Nancy Whitesides (23 October 2023)

OPB Five-​Word Review: Metaphorical, empathetic exploration of grief.

Goodreads Reviews


Hidden Gem by Linda Liu (11 July 2023)

OPB Five-​Word Review: Rock’s reflections, profound self-​acceptance lesson.

Goodreads Reviews


How Dinosaurs Went Extinct: A Safety Guide by Ame Dyckman, illustrated by Jennifer Harney (18 April 2023)

OPB Five-​Word Review: “Safety Guide,” dino style. UpROARious!

Goodreads Reviews


How to Write a Poem, by Kwame Alexander and Deanna Nikaido, illustrated by Melissa Sweet (4 April 2023)

OPB Five-​Word Review: Poetry’s dance in everyday moments.

Goodreads Reviews


Invisible Things by Andy J. Pizza, illustrated by Sophie Miller (18 July 2023)

OPB Five-​Word Review: Unveiling life’s unseen wonders…poetically.

Goodreads Reviews


Jumper: A Day in the Life of a Backyard Jumping Spider by Jessica Lanan (11 April 2023)

OPB Five-​Word Review: Arachnid adventure–jumping into action.

Goodreads Reviews


Mae and Gerty and the Matter with Matter by Elaine Vickers, illustrated by Erica Salcedo (17 October 2023)

OPB Five-​Word Review: Sibling scientists bond through chemistry.

Goodreads Reviews


Mama Shamsi at the Bazaar by Mojdeh Hassani and Samira Iravani, illustrated by Maya Fidwai (19 July 202)

OPB Five-​Word Review: Under chador, a world unfolds.


Mother of Sharks by Melissa Cristina Márquez, illustrated by Devin Elle Kurtz (30 May 2023)

OPB Five-​Word Review: Shark magic fuels STEAM dreams.


Our Pool by Lucy Ruth Cummins (13 June 2023)

OPB Five-​Word Review: City pool: splashtastic summer delight.

Goodreads Reviews


Paula’s Patches by Gabriella Aldeman, illustrated by Rocío Arreola Mendoza (11 July 2023)

OPB Five-​Word Review: Heartwarming tale of mending friendships.

Goodreads Reviews


Remember by Joy Harjo, illustrated by Michaela Goade (21 March 2023)

OPB Five-​Word Review: Nature’s wisdom in poetic embrace.

Goodreads Reviews


The Skull by Jon Klassen (11 July 2023)

OPB Five-​Word Review: Cozy chills: eerie, tender, captivating.

Goodreads Reviews


Spicy Spicy Hot! by Lenny Wen (19 July 2022)

OPB Five-​Word Review: Cultural connection through fiery sambal.

Goodreads Reviews


The Search for the Giant Arctic Jellyfish by Chloe Savage (5 October 2023)

OPB Five-​Word Review: Enchanting storytelling reveals hidden marvel.

Goodreads Reviews


A Vaccine Is Like a Memory by Rajani LaRocca, illustrated by Kathleen Marcotte (20 June 2023)

OPB Five-​Word Review: Inoculating minds with vaccine knowledge.

Goodreads Reviews


A Walk in the Woods by Nikki Grimes, illustrated by Jerry Pinkney and Brian Pinkney (12 September 2023)

OPB Five-​Word Review: Grief’s path leads to treasure.

Goodreads Reviews


Picture Book List: 16 Great Books about Hanukkah

Since Hanukkah is observed for eight days, it makes sense to list 8 great books about this holiday, but that’s nowhere near enough. It deserves more, and there are just so many fine picture books to pick from. So, we’re doubling that number and sharing 16 instead!

Hopefully, this list is a mix of old favorites and new-​to-​you treats. Enjoy!


Chanukah Lights Everywhere by Michael J. Rosen, illustrated by Melissa Iwai (October 2006)

From Goodreads: “One crescent moon glows in the sky. Two headlights shine through the window.… On each magical night of Chanukah, a young boy and his sister count more lights shining all around them! Join them as they discover what it means to celebrate Chanukah in a world filled with so many other lights.”

Pages: 32

Reading Age: 4–7


Hanukkah Delight! by Lesléa Newman, illustrated by Amy Husband (August 2016)

From Goodreads: “Whimsical bunnies celebrate Hanukkah in this charming rhyming board book describing all the Hanukkah rituals beloved by Jewish kids.”

Pages: 12

Reading Age: 1–4

 

Hanukkah Lights by David Martin, illustrated by Melissa Sweet (September 2009)

From Goodreads: “Sweet illustrations and simple language bring the holidays to life for the youngest of children.

Candles on the menorah, ready to light! At Hanukkah, there are many much-​anticipated rituals — latkes to eat, dreidels to spin, presents to give and receive, and shiny gold treats. Add some free-​form fun, from shadow puppetry to singing and dancing, and you have a warm, truly child-​friendly celebration.”

Pages: 26

Reading Age: 0–3

 

The Hanukkah Mice by Steven Kroll, illustrated by Michelle Shapiro (October 2021)

From Goodreads: “It’s the first night of Hanukkah, and the mouse family secretly looks on as Mr. Silman lights the first Hanukkah candle. Then they watch Rachel Silman open a gift from her family, a beautiful dollhouse with a wraparound porch and tiny lace curtains. Just the right size for us, whispers Mindy Mouse. While the Silmans are asleep, the mouse family explores the dollhouse. On each night of the holiday, they enjoy the small pieces of furniture and dishes of food that magically appear. Finally, on the eighth night of Hanukkah, a small miracle occurs, showcased nicely in Michelle Shapiro’s colorful gouache illustrations.”

Pages: 42

Reading Age: 3–7

 

Hershel and the Hanukkah Goblins by Eric A. Kimmel, illustrated by Trina Schart Hyman (October 1994)

From Goodreads: “A traveler rids a village synagogue of goblins. A Caldecott Honor Book.”

Pages: 32

Reading Age: 4–8

 

Hoppy Hanukkah!  by Linda Glaser, illustrated by Daniel Howarth (September 2009)

From Goodreads: “Violet and Simon, two small bunnies, are excited about Hanukkah. Simon is ready to light all the candles and then blow them right out! But Mama and Papa explain how to celebrate Hanukkah by lighting one candle each night at sunset and placing the menorah in the window for all to see. Grandma and Grandpa come over, too, and there are latkes and presents and a dreidel game. Linda Glaser’s simple, cozy story is just right for children first learning about this holiday. Daniel Howarth’s charming paintings show a happy family passing on their tradition.”

Pages: 24

Reading Age: 5–6

 

How Do Dinosaurs Say Happy Chanukah? by Jane Yolen, illustrated by Mark Teague (September 2012)

From Goodreads: “From the warm glow of holiday candles in the menorah to the fun of family gatherings, little dinosaurs love to celebrate the Festival of Lights. But sometimes the excitement of Chanukah, its treasured rituals, and the tradition of gifts can tempt a youngster to misbehave.…

Come along on a joyful romp filled with tumbling dreidels and melting gelt as America’s favorite prehistoric pals spread a little mischief this season. Children will laugh out loud as dinosaurs fidget, fuss, and stomp through every occasion, while their human parents shift from shock to weary patience.

Filled with warmth and cheer, this new book by the bestselling team of Jane Yolen and Mark Teague makes a perfect gift to be read again and again, year after year. How do dinosaurs say Happy Chanukah? The same way they say Merry Christmas: With an abundance of love, joy, memory, and gratitude.”

Pages: 40

Reading Age: 0–4

 

Larry’s Latkes by Jenna Waldman, illustrated Ben Whitehouse (October 2021)

From Goodreads: “Everyone knows that Big Larry makes the best latkes in town. This year he is throwing a Hanukkah party for all this friends, and the latkes need to be extra special. He goes on a quest to find some brand-​new flavors at the farmer’s market. But peaches are a soggy mess, and turnips are a flop. Big Larry’s kitchen is a latke disaster. Good thing he has some help from his friends.”

Pages: 32

Reading Age: 4–8

 

Latke, the Lucky Dog by Ellen Fischer, illustrated by Tiphanie Beeke (August 2014)

From Goodreads: “Rescued from an animal shelter on the first night of Hanukkah, Latke has trouble learning the house rules. Despite a series of mishaps, he is one Lucky Dog!”

Pages: 24

Reading Age: 2–8

 

Meet the Latkes by Alan Silberberg (October 2018)

From Goodreads: “Imagine James Marshall’s The Stupids celebrating Hanukkah, and you’d get the Latke family!

Lucy Latke’s family is just like yours or mine. Except that they’re potato pancakes. And also, they are completely clueless. After lighting the menorah and gobbling the gelt, Grandpa Latke tells everyone the Hanukkah story, complete with mighty Mega Bees who use a giant dreidel to fight against the evil alien potatoes from Planet Chhh. It’s up to the Latke family dog to set the record straight. (To start with, they were Maccabees, not Mega Bees…) But he’ll have to get the rest of the Latkes to listen to him first!”

Pages: 36

Reading Age: 3–5

 

Moishe’s Miracle: A Hanukkah Story by Laura Krauss Melmed, illustrated by David Slonim (October 2005)

From Goodreads: “Kind-​hearted Moishe is given a magical frying pan that will produce all the latkes you could wish for latkes by the dozen, latkes by the hundreds but only Moishe must use it. Alas, his short-​tempered wife, Baila, does not heed the warning.”

Pages: 32

Reading Age: 0–12

 

The Night Before Hanukkah by Natasha Wing, illustrated by Amy Wummer (October 2014)

From Goodreads: “It’s the night before the eight-​day celebration of Hanukkah begins, and everyone is excited! Each evening, the family gathers to light the candles and share holiday traditions such as playing dreidel, eating latkes, and exchanging gifts. The seventeenth title in Natasha Wing’s bestselling series, The Night Before Hanukkah captures all the joy and love in one of the most wonderful times of the year!”

Pages: 32

Reading Age: 3–5

 

My First Chanukah by Tomie dePaola (September 2008)

From Goodreads: “Describes the traditional celebration of Chanukah, including the lighting of candles on the menorah, the eating of latkes, and the spinning of the dreidel. On board pages.”

Pages: 14

Reading Age: 3–5

 

Shmelf the Hanukkah Elf by Greg Wolfe, illustrated by Howard McWilliam (September 2016)

From Goodreads: “Shmelf is one of Santa’s most important elves. He’s part of the List Checking department, and he makes sure all the good boys and girls get their presents! But when Shmelf finds out that some children are missing from Santa’s list, he goes to investigate.

What Shmelf uncovers is Hanukkah, a wondrous and joyful holiday that Jewish families celebrate each year. As Shmelf observes a family lighting the menorah, playing dreidel, and hearing the Hanukkah story, he sees how special the traditions of the holiday truly are-​and he wants to be a part of it! Luckily, Santa just might have a special role in mind for Shmelf.…

The rich traditions of Hanukkah come to life in this whimsical and magical story that’s perfect for the holiday season.”

Pages: 32

Reading Age: 3–6

 

Simon and the Bear: A Hanukkah Tale by Eric A. Kimmel, illustrated by Matthew Trueman (September 2014)

From Goodreads: “Before Simon sails to America, he promises his family that he will get a job and send for them. Simon’s mother knows he will need a miracle, so she reminds him to celebrate Hanukkah wherever he may be. Little does either of them know that Simon will spend the first night of Hanukkah on an ice floe after his ship sinks.The lone survivor out in the wide ocean, Simon lights the first candle, and it attracts a visitor: a polar bear. Does she eat him? No! She shares his latkes, enjoys his songs, goes fishing for him, and even keeps him warm at night. By the last day of Hanukkah, Simon has nearly given up hope of ever being rescued. But then he recounts all of the miracles that have befallen him so far. Perhaps it is not too much to hope for one more, he thinks, as he lights all of the candles in the menorah. The bright glow signals a passing ship, and Simon makes it to New York after all. This fanciful Hanukkah tale-​like none you’ve ever read before-​celebrates eight miracles: family, friendship, hope, selflessness, sharing, faith, courage, and love. A retelling of the ancient Hanukkah story is included on the last page.”

Pages: 40

Reading Age: 3–5

 

Yitzi and the Giant Menorah by Richard Ungar (September 2016)

From Goodreads: “On the eve of Hanukkah, the People of Chelm have received a special gift from the Mayor of Lublin. A giant menorah in which they place in the square for all the admire. Every night, the villagers meet to watch the lighting of a candle on the menorah. And every night, the villagers ponder What is the most fitting way to thank the Mayor of Lublin?

The villagers come up with idea after idea, but their gift never quite reaches the Mayor. What will they do? Finally, on the last night of Hanukkah, Yitzi has an idea to orchestrate the surprise thank you gift.”

Pages: 32

Reading Age: 5–9