Tag: Pete Oswald

Editor Interview: Cheryl Eissing (Flamingo Books)

On By Only Picture BooksIn Editor Interviews2 Comments

When someone takes the time to write a great social media bio, they deserve kudos, acclaim, and general admiration. Witness editor Cheryl Eissing’s bio at Twitter/​X. “When I’m not editing, I can be found reading with an English Bulldog at my feet, cooking too much pasta, or walking my dog around Brooklyn.”

Love it!

Her bio at Penguin’s website offers two bits of dynamite info as well.

“Cheryl mainly edits picture books, with some middle grade and young adult, and is specifically interested in stories that cause giggles, give comfort, and expose their readers to experiences and perspectives they haven’t seen before.”

“Cheryl is always looking for commercial and silly yet profound picture books and stories that entertain, educate, and inspire young readers. When she is not editing books, Cheryl can be found befriending dogs on the streets of Jersey City, watching horror movies, or searching for the perfect lychee martini.”

Awesome, right? Let’s talk to her to find out a bit more.

RVC: Let’s deal with the geographic elephant in the room. In the bio snippets above, it seems you have a multi-​state dog love going. What’s the real story there? 

CE: Ha! Unfortunately, the first bio is out of date. I lived in Brooklyn with the bulldog in question (who has sadly crossed the rainbow bridge, as the social media pet community often calls it) but he was the greatest editing and walking companion. I moved to Jersey City in 2020 and still go for dog walks (by that I mean, I walk around Jersey City and admire all the dogs). I will always have a soft spot for bulldogs.

RVC: Got it, thanks. Now, back to the regularly scheduled OPB interview…what aspect/​part of you today gives away where you’re from and how you were raised? 

CE: I grew up in the suburbs of Long Island and went to college in New Jersey, so I’m very serious about bagels and pizza. I’ve just finally grown up and realized you can get good bagels and pizza outside of New York!

RVC: Good to know! Here’s a huge question: what was your first meaningful experience with a book?

CE: Oh goodness, what a big question! Picture books that I have a vivid memory of reading as a kid are Where the Wild Things Are by Maurice Sendak, Chrysanthemum by Kevin Henkes and Corduroy by Don Freeman. I just remember each of them speaking to something in me as a child. I always loved the adventure of Corduroy and was amazed by the idea of being alone in a department store after it closed. I loved the fantastical, dreamlike elements of Where the Wild Things Are and absolutely identified with Max’s mischievousness. And as someone who did not like being the only person with my name in my class as a little kid, Chrysanthemum really spoke to me.

RVC: Most of us in the book industry had a powerful experience with a teacher somewhere along the way. What was your MIT (Most Important Teacher) moment?

CE: Ms. Jeans, my second-​grade teacher!

RVC: Best…name…ever.…

CE: She was the absolute best and always made me feel smart and capable. I remember her showing a drawing I did to another teacher—it’s amazing how much those little encouragements are so important and really stick with you!

RVC: Totally agree! Your LinkedIn account says you did your undergraduate studies at Rutgers. What career goal did you have in mind there?

CE: I wanted to be in publishing since I was in high school. I remember looking at all of the YA books on my shelves and thinking, “Okay, I don’t really enjoy writing, but what are the names of these companies on the spines of my books?” and realized that I could work with books in another way. I went into college thinking I’d major in English and then eventually go onto publishing, and always sort of thought if it wasn’t meant to be something else would reveal itself as my calling, but it stuck!

RVC: What was the most useful thing/​skill you learned at Rutgers?

CE: Reading and analyzing literature and seeing the many ways a book can be written and written well. Not all who work in publishing are former English majors, but I felt like it certainly helped me!

RVC: You’re the post child for the power of internships. Share a bit about what you did and how that helped launch your career in the industry.

CE: Because Rutgers was just a train ride away from NYC, I was able to apply for internships and do those in Junior and Senior year. I definitely wouldn’t have been able to do them in Freshman and Sophomore year while I was still getting my bearings and still having to take core requirement classes that took up a lot of my time.

I got lucky with landing my first internship at Abrams, in a department that I wasn’t ultimately interested in, but I was doing admin tasks and learning how publishing worked. That led me to more interviews and more internships. Most of what I did for internships wasn’t stuff that interested me, but it helped me learn how a publishing office worked and gave me good experience!

RVC: It seems like you might’ve had a moment where you considered being an agent. What happened there?

CE: After I graduated college and had just had one interview for a real job, I was feeling very restless and continued applying to internships, which eventually landed me as an intern at a literary agency. It was definitely interesting to learn about that part of the publishing world but I realized it wasn’t for me. I definitely prefer working on shaping a manuscript the most!

RVC: Tell me the story behind the first picture book you acquired. 

CE: The first picture book I acquired was My School Stinks by Becky Scharnhorst and Julia Patton. I met Becky at the Rutgers One-​on-​One Publishing Conference, and we really clicked. We worked on her manuscript (which was originally a camp story rather than a school story) and I loved it so much. Becky was so great at really considering my notes and was so great at writing funny and heartfelt stories. I ended up asking her to change the setting from a summer camp to a school and I remember feeling so worried that she wouldn’t want to change so much about her manuscript (but also completely understanding if she did!) and worrying that she wouldn’t want me as her editor.

In the end, she adapted the manuscript into a school setting, and I just loved it and I was so happy that my publisher agreed, too! We found Julia and adored her artwork–she is so talented at doing mixed media scenes and could really incorporate the journal entry format of the story into her hilarious illustrations. I loved working on My School Stinks!

RVC: What’s the most useful thing you got from that experience? 

CE: I think I learned a lot about the author’s experience of editing a manuscript. Because it was my first acquisition, I had to really carefully consider my words and how to get the best manuscript possible from my author, while still being encouraging and showing how much I love the book. While an editor absolutely feels ownership over each book they edit, ultimately the book is the author and illustrator’s creation! And our job is to give suggestions in how to make the best possible book that is within the author and illustrator’s creative vision! So I think that experience really taught me to really consider the author on the other end of my emails and notes.

RVC: Let’s jump ahead to your recent work. What’s the most important thing people should know or understand about Flamingo Books?

CE: We love funny picture books! We think books that are fun is the best way to make lifelong readers, so often the first thing we look for is humor. We love profound and heartfelt picture books, too, but I’d say a good majority of our books are funny!

RVC: Why is Flamingo Books a great fit for you?

CE: I love to do sweet and silly picture books that tackle big moments or emotions in a child’s life, as well as books that can teach a reader something new, but always with lots of humor and character. I love a funny book and I’m always looking for books that can be funny while still accomplishing other things. I think that humor is such an easy entry point for kids and reluctant readers. I truly believe that any kid who doesn’t like to read just hasn’t been introduced to the right books!

RVC: What does a typical workday look like for you?

CE: A lot of it is answering emails from other departments, looking at passes of books, fielding submissions, and, depending on the time of year, preparing materials for upcoming meetings.

RVC: What’s the most common misconception writers have about editors?

CE: I think some writers might feel like getting a lot of edits means their editor thinks that they’re not a good writer. Editing can take a lot of time and several rounds (some take 10 rounds or even more!). Sometimes we don’t notice something the first 5 times we read it. Or sometimes fixing one problem in the manuscript creates another. Having lots of edits is very normal and part of the process!

RVC: What’s your editing superpower? 

CE: Oh, I really don’t know! I guess I’m good at editing funny books?

RVC: Speaking of editing superpowers, you’ve had some real successes. Share what it’s like to find out a book you edited is on the New York Times bestseller list. 

CE: It is really really cool. Being on the NY Times list is not the end-​all-​be-​all of a book’s success by any means, but it’s definitely something that holds a lot of weight in the industry and it is so great to have one of your books succeed in that way. I think the coolest part is that books that land on that list are because of the work of so, so many of your colleagues who loved it. A book that you acquired and worked hard on, and launched to them, and hoped they would love as much as you do. Having a whole team to work hard with and celebrate with is really lovely!

RVC: I believe you worked on a book written by my friend, Michelle Houts—Hopefully, the Scarecrow.

CE: Yes! I adore Hopefully the Scarecrow!

RVC: What grabbed you about that story? 

CE: Michelle’s voice throughout the story was what I instantly loved. It had this timelessness to it that felt like a book I could’ve read 50 years ago but also felt so current.

RVC: Your feeling on art notes?

CE: I LOVE how that book turned out. We waited a whole extra year just to have Sara Palacios illustrate and it was so worth the wait! That book is gorgeous and I sometimes just pop it open to stare at the art. It’s one of those book where the words and art really work together perfectly.

RVC: A lot of aspiring writers read OPB. Let’s help them out—offer some examples of “commercial and silly yet profound picture books” please!

CE: The Bad Seed series by Jory John and Pete Oswald, A Hungry Lion by Lucy Ruth Cummins, We Found a Hat by Jon Klassen, Strictly No Elephants by Lisa Mantchev and Taeeun Yoo, Something’s Wrong by Jory John and Erin Kraan.

RVC: Since COVID, I’ve made a point out of asking everyone a health and wellness action. Here’s yours. What do you do to de-stress?

CE: I like to cook, or exercise, or read a book for pleasure.

RVC: One final question for this part of the interview, Cheryl. If you had to summarize the most important thing you’ve learned about picture books, what would it be?

CE: I guess it would be that picture books have power. They can teach kids about empathy, friendship, loss, feelings, family, differences, etc. and can shape who they are as a person.

RVC: Okay, here we go. It’s the LIGHTNING ROUND. Zippy zoomy questions followed by zapptastically fast answers. Are you ready?

CE: Yes!

RVC: What “old person” thing do you do?

CE: I really like jigsaw puzzles and Sudoku.

RVC: If someone narrated your life, who would you want to be the narrator?

CE: Kathryn Hahn or Ayo Edebiri.

RVC: If you had a giraffe you needed to hide, where would you hide it?

CE: Under a blanket.

RVC: What are five things you couldn’t do your job without?

CE: A notebook, a laptop, post-​its, Diet Dr Pepper, Rhymezone.com

RVC: Who sets the standard for picture book rhymes?

CE: Anna Dewdney and Sandra Boynton.

RVC: What’s a favorite line from a picture book you edited?

CE: “Great job, Buffalo. Help yourself to some potato salad.” (From Porcupine & Cactus by Katie Frawley & Alex Willmore)

RVC: Thanks so much, Cheryl!

Only Picture Books’ 20 Favorites of 2020

On By Only Picture BooksIn OPB Favorites, Picture Book Lists

2020 was a rough year–no doubt about it. But at least we had some first-​rate new picture books to help us through it all.

This list is our subjective ranking of 20 books OPB really liked from this past year. If we missed a great book, please take a moment to share your 2020 faves in the comment section

Great work should be recognized, valued, and encouraged.

We hope OPB helps make all that happen.

All of a Sudden and Forever by Chris Barton, illustrated by Nicole Xu (4 February 2020)

This nonfiction book tenderly handles the Oklahoma City Bombing of 1995–Barton does a wonderful job of showing how healing happens after a collective tragedy. The art by debut illustrator Xu elevates an already beautiful story.

 

Construction People by Lee Bennett Hopkins (editor), illustrated by Ellen Shi (16 March 2020)

The late Lee Bennett Hopkins assembled 14 poems about the wide range of people needed to build a city high rise. The poems are noisy and fun in all the right ways for young readers–this is a real treat.

 

Digging for Words: José Alberto Gutiérrez and the Library He Built by Angela Burke Kunkel, illustrated by Paolo Escobar (8 September 2020)

This book offers a wonderful look at Colombia while telling the amazing story of a garbage collector in Bogotá who created a library that started with a single discarded book that he found on his route. Digging for Words has solid read-​aloud potential, too, which isn’t always the case with nonfiction.

 

Evelyn Del Rey Is Moving Away by Meg Medina, illustrated by Sonia Sánchez (8 September 2020)

The first-​person present-​tense story is a believable tale of how the friendship of two girls can survive anything–including separation/​change. Sánchez’s mixed-​media art is bright, vibrant, and lovely.

 

Hans Christian Anderson: The Journey of His Life by Heinz Janisch, illustrated by Maja Kastelic (1 September 2020)

OPB reviewed this book earlier this year, and months later, we still think it’s still a standout. This story-​in-​a-​story biography is simply enchanting.

 

Hike by Pete Oswald (17 March 2020)

There simply aren’t enough quality father-​son picture books, but this one adds to that list. The adventure is nearly wordless, but the journey is marvelous for father, son, and reader. Delightful, and with just a hint of whimsy.

 

Honeybee: the Busy Life of Apis Mellifera by Candace Fleming, illustrated by Eric Rohmann (4 February 2020)

Fleming crafts language that manages to communicate the facts of the honeybee’s intriguing short life, but it’s Rohmann’s exquisite oil paint illustrations that makes this book soar. The close-​ups can easily be mistaken for photographs! Watch for the gorgeous gatefold at the very end, as well as a backmatter essay on the plight of the honeybees.

 

I Am Every Good Thing by Derrick Barnes, illustrated by Gordon C. James (1 September 2020)

There are catchy, memorable lines throughout (“I am good to the core, like the center of a cinnamon roll”) that readers will delight in. But it’s the empowering message of self-​affirmation and value here that makes this a must-​read. James’ oil-​paintings are richly textured and powerful–watch for a cameo from Barack Obama!

 

If You Come to Earth by Sophie Blackall (15 September 2020)

While the premise is intriguing (how might you introduce Earth to a visitor from outer space?), it’s no surprise that two-​time Caldecott winner Blackall’s illustrations steal the show. Her stunning attention to detail showcases the diversity of our planet in all of its glory. Simply beautiful.

If you liked Oliver Jeffers’ Here We Are: Notes for Living on Planet Earth, If You Come to Earth will likely be a hit, as well.

 

Lights on Wonder Rock by David Litchfield (8 September 2020)

In this story, Heather yearns to go to outer space. But is she truly ready to leave Earth–and everything about it–behind? I think I love this cover (and story) because it reminds me of E.T., but the graphic novel style throughout is equally compelling. Note the numerous wordless spreads that burst with delicious light and color. Litchfield is really, really good.

 

Nonsense!: The Curious Story of Edward Gorey by Lori Mortensen, illustrated by Chloe Bristol (24 March 2020)

A lyrical biography about the curious, strange man who served as inspiration for other curious, strange creatives (like Tim Burton and Lemony Snicket)? Yes, please! Of course, both the lyrical and artistic elements are positively Gorey-​esque. A generous two-​page Author’s Note helps round out a reader’s understanding of Gorey’s amazing life and accomplishments.

 

The Ocean Calls: A Haenyeo Mermaid Story by Tina Cho, illustrated by Jess X. Snow (4 August 2020)

“Haenyeo” means free diving, and we learn all about that in this lovely story where a Korean girl dreams of being a haenyeo and diving deep to grab treasures from the ocean floor, just as generations have done before, and just as her grandma does now. There’s plenty of STEM appeal here, but it’s also a sweet story about family and tradition.

 

The Old Truck by Jarrett Pumphrey and Jerome Pumphrey (7 January 2020)

The retro design is what first catches my eye, but I’m quickly taken by this eloquent ode to perseverance and grit. OPB is definitely looking forward to more picture books from the Pumphrey brothers.

 

Outside In by Deborah Underwood, illustrated by Cindy Derby (14 April 2020)

Each year, it seems OPB includes a Deborah Underwood story in one way or another, and here’s yet another fine one. The starred review at Kirkus has it right–this book is a “love letter to nature.” Best of all, Outside In isn’t preachy nor heavy-​handed. It’s (appropriately) quiet, wise, and wondrous.

 

The Paper Kingdom by Helena Ku Rhee, illustrated by Pascal Campion (18 February 2020)

What a cool book! It’s the “simple” story of a parent going to work, but it’s filtered through the wondrous imagination of a child. Yes, there’s social critique tucked away in these pages, but even if a child doesn’t get that, this book will resonate on many levels.

 

A Polar Bear in the Snow by Mac Barnett, illustrated by Shawn Harris (13 October 2020)

Children will love the in-​text questions about where this polar bear is going–it’s a great way to get them involved in the storytelling. The art is simple and charming, as is this captivating Arctic adventure.

 

The Secret Garden of George Washington Carver by Gene Barretta, illustrated Frank Morrison (14 January 2020)

I love picture book biographies–especially when it’s about someone I THINK I know, then I come to realize how much more there is to their story. That’s the case here in this dignified and interesting take on the life of George Washington Carver–a “living folk hero.”

 

The Truth About Dragons by Jaime Zollars (15 September 2020)

This debut picture book will help readers see beyond their fears to find their own strength/​inner dragon. It’s a delightful take about the anxiety of new experiences.

 

We Are Water Protectors by Carole Lindstrom, illustrated by Michaela Goade (17 March 2020)

It’s hard to say which is more captivating–the potent words of Lindstrom or the lush art of Goade. Regardless, it’s a passionate call for much-​needed environmental stewardship that shows how interconnected our world is. Simply lovely.

 

Your Name Is a Song by Jamilah Thompkins-​Bigelow (7 July 2020)

A young girl is understandably unhappy at how people mishandling her name, yet her mother teaches her about the magic and music of names…including her own. It’s a celebration of language and history suitable for all readers.

Only Picture Books’ 19 Favorites of 2019

On By Only Picture BooksIn OPB Favorites, Picture Book Lists

It’s the end of 2019, and here at OPB, we always close out each December with a list of our favorite pictures books of the past 12 months.

Some of these picture books appeared in OPB in one capacity or another. Because of space considerations and other factors, some didn’t. Regardless, all of the following books are worthy of attention and space on your shelves. I’ll even share a few words as to why they’re on this Best Of list. Enjoy!

(Don’t read anything into the order, though–it’s simply alphabetical by book title because, well, that’s easy to do.)

Another by Christopher Robinson (5 March 2019)

I confess that I resist wordless picture books on principle…except when they’re done this well. The fun shapes here remind me of Paul Klee, and the dreamy story is quite compelling.

 

Astro Girl by Ken Wilson-​Max (3 Sept 2019)

There’s so much here to like. A determined girl wanting to be an astronaut. An effective single parent (Papa). Dramatic acrylic artwork. Solid backmatter. Well done, Ken Wilson-Max!

 

Bird Count by Susan Edwards Richmond, illustrated by Stephanie Fizer Coleman (1 Oct 2019)

This book about young Ava becoming a “citizen scientist” is SO cool. Learn all about the New England Christmas Bird Count, too, as well as facts about winter birds uncovered via birding ID techniques. Find out more about this book via our OPB review here.

 

Crab Cake: Turning the Tide Together by Andrea Tsurumi (5 Feb 2019)

Got a budding environmentalist in your life? This funny story about a crab’s actions in the aftermath of a disaster (trash being dumped into the ocean) will surely be a hit. There’s a fine message here about getting past mishaps and challenges. I’m a fan of the rich artistic textures in these pages, as well.

 

Dr. Seuss’ Horse Museum by Dr. Seuss, illustrated by Andrew Joyner (3 Sept 2019)

An unrhymed Dr. Seuss manuscript? Sounds crazy, but that’s exactly what we have in this look at how different artists have depicted horses. The full-​color reproductions here (Picasso, Seurat, Manet, and more) help make this a solid introduction to art. It’s not like most other Dr. Seuss books, but if you can get past that, it’s a good one regardless.

 

The Good Egg by Jory John, illustrated by Pete Oswald (12 Feb 2019)

This one just tickles my fancy, as much because I had a neighbor who used to call me “A darn good egg!” as the fun art here by Oswald. Add in Jory John’s quirky take on perfectionism, and that’s the good read you’ll find here.

 

The Important Thing About Margaret Wise Brown by Mac Barnett, illustrated by Sarah Jacoby (21 May 2019)

This is a standout biography of a a first-​rate picture book writer, done in the style and tone of Margaret Wise Brown herself. The book is quirky, so don’t expect it to fully adhere to the standard chronological form most biographies take. The story’s also about taking risks and experimenting–great lessons for young readers to encounter.

 

Just Because by Mac Barnett, illustrated by Isabelle Arsenault (10 Sept 2019)

The child in this bedtime book fires off questions instead of sleeping, and the dad sends back amazing, imaginative answers versus the easy-​but-​unhelpful “just because” answer a tired adult might be inclined to give. The unexpected retro illustrations give this a nice feel.

 

Magic Ramen: The Story of Momofuku Ando by Andrea Wang, illustrated by Kana Urbanowicz (5 March 2019)

Here’s the true story of how Momofuku Ando dreamed about making a new kind of ramen noodle soup that was easy to make and tasty. Why? Because he saw lines of people waiting for food in Japan right after World War II, and he believed that “the world is peaceful only when everyone has enough to eat.” A useful Afterword gives fine bonus information for teachers, parents, and librarians.

 

Planting Stories: The Life of Librarian and Storyteller Pura Belpré by Anika Aldamuy Denise, illustrated by Paola Escobar (15 Jan 2019)

This book won a ton of awards largely because it’s the well-​told biography of puppeteer, storytelling, and NYC librarian Pura Belpré, who was a champion of multicultural literature. A librarian who supports multicultural lit might not sound that odd today, but consider that she arrived in American in 1921! The author’s ability to move from English to Spanish within the story without translations or italics? Very impressive.

A sizable amount of backmatter offers plenty of depth on the life and doings of this important figure.

 

The Proper Way to Meet a Hedgehog and Other How-​to Poems by Paul B. Janeczko, illustrated by Richard Jones (25 Feb 2019)

This poetry anthology by Janeczko showcases poems by Kwame Alexander, Pat Mora, Nikki Grimes, Marilyn Singer (see her OPB Author Interview here!), and more. All of the poems are a how-​to of one type or another, ranging from how to be a snowflake to how to bird watch. It’s a fine collection with just enough range and style.

 

Small in the City by Sydney Smith (3 Sept 2019)

Some readers might not be happy with the situation–a child in the city looking for a lost pet. But it’s poignant, realistic, and filled with anything but false promise, all done in poignant, sensitive language. This story could’ve gone wrong in a host of ways in the hands of a less attentive author/​illustrator.

 

Smile: How Young Charlie Chaplin Taught the World to Laugh (and Cry) by Gary Golio, illustrated by Ed Young (26 March 2019)

Charlie Chaplin’s life held a lot of sorrow early on, yet Charlie knew sadness and humor went hand in hand. This book does a fine job of telling his story–and his own special sense of fun–through lyrical text accentuated by interesting collage-​style illustrations.

I’m quite taken, too, by the silhouette of the Little Tramp–Chaplin’s most famous on-​screen character–that becomes animated when the pages are flipped.

 

Stonewall: A Building, an Uprising, a Revolution by Rob Sanders, illustrated by Jamey Christoph (23 April 2019)

While Stonewall is obviously picture book worthy, this book lets the Stonewall Inn ITSELF tell this vital tale. It’s not only an essential addition to LGBTQ literature, but an essential addition to literature in general.

Bonus note: Rob was kind enough to be the very first Author Interview @ OPB. It’s interesting to see how his philosophy of picture books from a few years back still plays out so powerfully in his current work.

 

Sulwe by Lupita Nyong’o, illustrated by Vashti Harrison (15 Oct 2019)

Sulwe’s skin is dark as midnight, but all she wants is to be bright and beautiful. This debut picture book by actress Lupita Nyong’o offers readers a magical journey that ultimately help them realize that true beauty always comes from within. That art here is beyond striking. Lovely.

 

A Tiger Like Me by Michael Engler, illustrated by Joëlle Tourlonias, translated by Laura Watkinson (1 Aug 2019)

Sometimes a kid might want to imaginatively become something else–like a tiger. In this story, that’s what happens, and he goes on wild-​tiger-​kid adventures. But at the end of the day, he’s happy to snuggle in bed with tiger-​mom and tiger-​dad. A sweet story.

 

When Grandma Gives You a Lemon Tree by Jamie L.B. Deenihan, illustrated by Lorraine Rocha (5 March 2019)

What kind of kid would EVER want a lemon tree for a birthday gift, right? Well, it turns out that in some situations, it’s the best gift of all. You even get a great recipe for lemonade here with this moving story.

Check out OPB’s interview with the author here, where we talk about–among other things–this very book!

 

When Sadness Is at Your Door by Eva Eland (29 Jan 2019)

There aren’t enough quality books about emotional literacy, but this is one of them. The simple illustration style adds a fine dimension to this important story.

 

Who Wet My Pants? by Bob Shea, illustrated by Zachariah OHora (17 Sept 2019)

It’s hard to imagine anyone tackling the tough topic of wetting one’s pants, but leave it to the ever-​amusing Bob Shea to do exactly that. The clever, silly pictures really help make this a memorable read.  There’s still plenty here for younger readers to appreciate even if they miss the more sophisticated aspects of the humor in play.