Picture Book Reviews: Just Snow Already; Don’t Mean to 13: Molly’s Tuxedo; Remind Me; What Goes on Inside a Beaver Pond?

I ran into an issue with securing a professional illustrator to partner with me this month on a picture book review. This just means we’re going with the much-​ballyhooed 5‑word review format once again here at OPB. Enjoy!

 

Don’t Be Mean to 13
Author: Douglas Harris
Illustrator: YipJar
Label Free Publishing
13 October 2023
24 pages

Five-​word review: Charming take on “unlucky” 13.

4 out of 5 Lucky Charms

 

Just Snow Already!
Author: Howard McWilliam
Illustrator: Howard McWilliam
Flashlight Press
1 September 2023
32 pages

Five-​word review: Snow finally falls. Chaos missed.

4.25 out of 5 Snowballs

 

Molly’s Tuxedo
Author: Vicki Johnson
Illustrator: Gillian Reid
Little Bee Books
27 June 2023
40 pages

Five-​word review: Molly shines in true colors.

4.5 out of 5 Bow Ties

 

Remind Me
Author: Linda Shute
Illustrator: Linda Shute
Neal Porter Books
4 July 2023
32 pages

Five-​word review: Poignant look at memory loss.

4.5 out of 5 Elephants

 

What Goes on Inside a Beaver Pond?
Author: Becky Cushing Gop
Illustrator: Carrie Shryock
Storey Publishing
5 September 2023
48 pages

Five-​word review: Beaver tale marries science, art.

4.25 out of 5 Beaver Dams

Picture Book Review: Giants Are Very Brave People by Florence Parry Heide (illustrated by Merrill Rainey)

Holiday House
1 August 2023
32 pages

This month’s PB review is by Ryan G. Van Cleave (Owner/​Operator of Only Picture Books) and freelance illustrator Edna Cabcabin Moran.

–Ryan’s Review of the Writing–

While I was familiar with Florence Parry Heide (1919–2011), the author of over 100 children’s books, I initially didn’t realize that this was a new edition of a 50-​year-​old work. Realizing that situation now actually answers some of my questions about the book, which are likely a result of audiences being so different a half century ago.

Back to the book, though.…

This is the story of a blue-​skinned child named Bigelow. To put it plainly, he’s absolutely a total scaredy-catkid. The clouds could fall on him, after all. And alphabet soup could spell out a magic word that kapoofs him into a mushroom. And rain? Well, of course he’s afraid of rain. Because he might melt.

One day, he goes out for a walk and encounters a very small woman (Mrs. Pimberly) who’s afraid of him because to her, he’s huge. She suggests that he might be less afraid if he acted a bit more fierce–perhaps by giving “a giant short of shout” such as FEE FI FO FUM. While it seems as if Bigelow is the first giant she’s encountered, she says that all giants know that phrase.

Bigelow practices the shout repeatedly while Mrs. Pimberly brews some tea. When she comes out with the tea, Bigelow is LOUD, to which she says, “You certainly scared me. That’s a very good shout. I’m sure it will make you feel much, much braver.”

All that shouting made him hungry, so Mrs. Pimberly makes him a mountain of pancakes (large to her, small to him). After he’s had the tiny snack, he offers to take her home with him, but she declines, saying that she has never traveled or had many experiences. “I’ve never even been on a train,” she says.

Back at home, Bigelow uses FEE FI FO FUM to deal with two of his fears–alphabet soup and bathtime. Maybe acting brave does help someone feel a little braver after all! The kid giant returns the favor to Mrs. Pimberly by bringing her his toy train, which allows her to ride “round and round and round the track.” While it’s unclear how riding a toy train equates to exploring the world, Mrs. Pimberly appears genuinely thrilled with the experience.

Ultimately, I have questions about the story. While children are likely to love shouting FEE FI FO FUM with Bigelow, will they feel less excited that an adult solved/​helped solve Bigelow’s problem (being afraid)? Most contemporary picture books give far more agency to kids in stories. I also wonder how a child who is afraid of everything manages to summon courage to go on long walks away from the safety from home.

Yet Rainey’s graphite pencil and digital illustrations are quite charming, as Edna will explain below. I’ve already mentioned the read-​aloud-​ability of parts of this book, and I’m also charmed by how some readers might not realize how Bigelow is a kid giant until he does himself (which is when he meets Mrs. Pimberly). There’s also a sincerity to the text that still comes through even after 50 years.

All things considered, it’s worthy of a read and an after-​book discussion about courage and fear. Great job, Merrill Rainey!

4 out of 5 pencils


–Edna’s Review of the Illustrations–

Merrill Rainey’s digital illustrations in Giants Are Very Brave People bring a freshness and verve to a bygone storytelling style by late bestselling author, Florence Parry Heide. In contrast with the story’s ambling quality, the art is direct and charming as metrical compositions of richly layered pages. Colors and textures sing. Shape and line work dance. Negative space places the main character, Bigelow, center stage in coping with his exhaustive list of fears.

Bigelow ventures (accidentally) into a place outside his fears as Rainey’s colorful artwork starts to fill the pages. Full and half-​page compositions take Bigelow and readers onto different vantage points [see pages 5 and 7] where he literally and metaphorically  gets a new perspective on things.

He meets Mrs. Pimberly who, in spite of her fear (of giants) begins to befriend Bigelow. She breaks the news to Bigelow that he is a giant and gives advice on how to behave like one. Rainey presents a visual metaphor of Bigelow finding his own voice as a giant. As Bigelow practices his Fee Fi Fo Fum chant [pages 10–11], spot illustrations move across the page spread like musical notes building up to a gigantic crescendo.

A turn to page 12 features a blue person hiding behind a door. It’s not clear right away that this is Mrs. Pimberly as she is painted in flesh tone in the rest of the book. On closer inspection of the text and visuals such as glasses, hairstyle and polka-​dot blouse, we realize this blue character is Mrs. Pimberly after all. Whether or not this is an intentional color change is unclear. Taking small pause, however, in a book that tackles the big theme of fear does not detract from the exuberance of Rainey’s tight but loosely rendered, playful yet rigorous artwork.

The scene on pages 30–31, featuring Mrs. Pimberly riding the train that Bigelow set up, is sure to be a favorite among readers. Rainey’s composition of color, shape, line, texture, and expressive animate and inanimate things, result in a tour de force for this picture book. We are not only treated to a visual symphony that resonates with an old-​timey tale of Bigelow and Mrs. Pimberly, but we are shown how to be brave in the new millennia.

4.75 out of 5 crayons


Edna Cabcabin Moran is an author/​illustrator, multi-​disciplined artist, educator, and advocate for youth voices and diversity in publishing. A Filipina-​American born to immigrants and raised in a military family, Edna grew up in the USA’s east and west coasts, Iceland, and Hawai’i. She is also a dancer with acclaimed hālau hula and dance company, Nā Lei Hulu I Ka Wēkiu, and a teaching artist specializing in STEAM and integrative arts. Her latest picture book, Honu and Moa (BeachHouse Publishing), received a 2019 Aesop Accolade from the American Folklore Society.

https://kidlitedna.com

IG & Twitter: @kidlitedna

Picture Book Review: How the Sea Came to Be by Jennifer Berne (illustrated by Amanda Hall)

Author: Jennifer Berne
Illustrator: Amanda Hall
Eerdmans Books for Young Readers
25 April 2023
56 pages

This month’s PB review is by Ryan G. Van Cleave (Owner/​Operator of Only Picture Books) and Florida-​based author/​illustrator Loreen Leedy.

 

–Ryan’s Review of the Writing–

Jennifer Berne’s new picture book, How the Sea Came to Be, is an evocative and captivating exploration into Earth’s aquatic history. The storytelling (divided into three parts—The Birth of the Sea, The Birth of Life, and All That the Sea Came To Be) combines elements of geology, oceanography, biology, and evolution. Written in rhyming verse quatrains, the narrative is as much a lyrical journey as it is an educational resource, offering readers an overview of over 4.5 billion years of oceanic history. Yeah, that’s a lot of room to cover, and she manages it on in a robust 56 pages.

The vivid imagery created by the text grips from the outset, with descriptions that bring to life the primal chaos of the earth’s formative years. I’m also a fan of how Berne goes beyond rhyming to include alliteration (“They blazed and they blasted and boomed”) that add to the meter (mostly iambic) which makes this a fun read-aloud.

Accompanying Berne’s textual journey are Amanda Hall’s mixed media illustrations. I’ll let Loreen dive deeper into those (like the watery pun?), but I find them to be integral components of the learning journey, adding richness to the storytelling. The layout of each spread invites exploration and appreciation, with the varied marine life forms being depicted in their natural, multi-​layered aquatic habitats. I wish there were clearer labels directly on the art, but most of what’s shown is either in the main text or the extensive back matter. The full-​page notes from both creators, glossary, full-​spread chart of “Ocean Creatures Over Time,” and recommended readings and resources adds an extra layer of depth (is that another ocean pun?) that will no doubt be a welcome addition for the home school and classroom market.

It’s a challenge to simplify and present complex scientific concepts in a way that’s both accessible and engaging to young readers. For the most part, that’s what happens here. Ultimately, this picture book inspires curiosity and invites questions about our world’s natural history, making it a solid resource for young scientists or anyone with a keen interest in the marine world.

4.5 out of 5 pencils

 

–Loreen’s Review of the Illustrations–

The rhyming text and impressive illustrations in this nonfiction book present a whirlwind tour of the earth’s oceans from the earliest moments in prehistory up to the present day. Colorfully complex endpapers give a sneak peek of the visual delights to come. Every page invites readers to explore the vastly different environments that once existed (or still exist) on our planet.

Earth’s early period of cosmic bombardment and erupting volcanoes appear in dramatic compositions of orange, black, and white. Monochromatic scenes depict a cooling, rainy world with brand new oceans full of crashing waves. Life begins microscopically small yet with pulsating energy, pictured as tiny circles/​cells that expand into more numerous and complex forms. Soon, simple but more recognizable animals such as sponges and jellyfish cling to rocks or float in the salty waters.

A delightful close-​up view of a worm wriggling along the ocean floor conveys an important milestone in the history of life: the ability to travel in a desired direction. Hard-​shelled arthropods scuttle and swim through a viridian and magenta frieze. One illustration requires a 90-​degree turn of the book to explore the dark depths of the sea where unusual, even glowing creatures dwell. Each spread moves forward in time as cephalopods, fish, reptiles, and whales wander the seven seas in their turn.

The animals are drawn and painted in a lightly stylized, realistic way with a hint of friendly charm. Technical jargon is avoided in the main text, while the back matter provides additional in-​depth information such as an illustrated fold-​out chart of geological eras. Curiously, plants are not mentioned despite their vital role in the food chain. Aside from that quibble, this is a terrific book to engage young readers in learning about major ocean-​related developments in prehistory. The beautifully designed artwork is outstanding throughout with numerous details for young readers to examine and enjoy.

4.5 out of 5 crayons


Loreen Leedy is the author and illustrator of over 45 picture books for children. Most of them include educational content such as math, science, language arts, and social studies topics, presented with humor and enthusiasm. Her titles include My Teacher Is a Dinosaur and Other Prehistoric Poems, Jokes, Riddles, & Amazing Facts; Fraction Action; Measuring Penny; and Crazy Like a Fox: A Simile Story. She lives with her husband on a rural property in central Florida.

Picture Book Reviews: Here I Can Be Mindful (Ally Condie); Oh No, the Aunts Are Here (Adam Rex); Stinkbird Has a Superpower (Jill Esbaum); Weather Together (Jessie Sima); When You Can Swim (Jack Wong)

Things went sideways at OPB this month, so instead of offering a normal picture book review where I write about the story and a pro illustrator writes about the art, we’re going a different route this time. We’re doing five-​word reviews for five picture books.

If you like this zippy new format, maybe we’ll try it again from time to time.

 

Here I Can Be Mindful
Author: Ally Condie
Illustrator: Jamie Kim
Viking Books for Young Readers
2 May 2023
32 pages

Five-​word review: Peaceful voyage through mindful awareness.

4.25 out of 5 Zen koans


Oh No, the Aunts Are Here
Author: Adam Rex
Illustrator: Lian Cho
Chronicle Books
23 May 2023
40 pages

Five-​word review: Boisterous, loving family reunion tale.
4.25 out of 5 family photos

Stinkbird Has a Superpower
Author: Jill Esbaum
Illustrator: Bob Shea
G.P. Putnam’s Sons Books for Young Readers
16 May 2023
32 pages

Five-​word review: Unique charm amid stinky adventures.

4.25 out of 5 stink waves


Weather Together (Not Quite Narwhal and Friends)
Author: Jessie Sima
Illustrator: Jessie Sima
Simon & Schuster Books for Young Readers
2 May 2023
56 pages

Five-​word review: Unicorns explore emotional weather together.

4.75 out of 5 rainbow swirls


When You Can Swim
Author: Jack Wong
Illustrator: Jack Wong
Orchard Books
2 May 2023
48 pages

Five-​word review: Diverse, empowering, aquatic joy ride.

4.5 out of 5 diving boards

Picture Book Review: The Night Tent by Landis Blair

Margaret Ferguson Books
18 April 2023
40 pages

This month’s PB review is by Ryan G. Van Cleave (Owner/​Operator of Only Picture Books) and OPB friend, Rebecca Zomchek.

–Ryan’s Review of the Writing–

From the first page of Landis Blair’s debut picture book, readers encounter a scenario we all know–a child in bed is uncomfortable when considering all the worrisome things that MIGHT be lurking in the dark. The more he tries not to think about it, the more he does.

Then the child (his name is Watson) notices an odd light coming from beneath the covers, so what else can he do but check it out? Once he ducks beneath the covers, he finds himself under a giant tent where the roof is covered with stars (thus the title, one assumes).

It’s more than a tent, though–there on the ground before Watson is a magical pathway weaving its way to a strange forest. Yes, there are unmistakable Where the Wild Things Are vibes here as Watson encounters creatures among the trees. We already know he’s scared of creatures in the night, so it’s no shocker that he hides at first, but after giving us the ongoing refrain (“and since Watson wasn’t sleepy”), which justifies his decision to proceed each time in the face of potential peril, he joins them as “he ran and played with them along the forest path.”

Despite Watson’s insistence that he’s not tired, he looks sleepier by the page as he gets on a trolley and “traveled through an ancient city, along treacherous cliffs, and over the sea to a tiny island with a very tall tower.” Up he climbs as his eyes droop and his shoulders slump, and then he crawls out from under the cover and is zonked–way too tired to worry about monsters or darkness or anything except sleep.

I’ll let Rebecca explain how the art steals the show here, but I can see where parents might be pleased how this story demonstrates how a child can find their way to sleep on their own. Yeah, it’s Maurice Sendak with kid gloves, but the dreamlike art, gentle mood, and quiet, comforting language will be welcome fare for many families.

4 out of 5 pencils

 

–Rebecca’s Review of the Illustrations–

I first became aware of Landis Blair’s work from his illustrations for From Here to Eternity by Caitlin Doughy. His pen and ink work interested me then as I am a fan of both his style and influences, and I was very excited for the opportunity to see and review his debut picture book.

In a layered style full of strong ink values and hatch marks, reminiscent of both Edward Gorey and Tove Jannson, Blair takes on a night-​time adventure with young boy Watson and how his imagination takes him from being afraid of the darkness in his room into a sprawling Where the Wild Things Are type of adventure through a magical landscape.

Watson tries and fails to sleep while being afraid of his dark bedroom. After discovering a light coming from under his covers we and Watson go on a starlit journey through deep forests, meeting friendly monsters, and traveling down a winding path to a high tower. These are all depicted in cool blues, greens and purples, with pops of muted yellow and black crosshatching applied to add depth and texture. This helps with both the nighttime feeling and both the idea of being outside and inside a dream.

We and Watson discover just how far our imaginations can take us and how the power of creativity and thinking of positive things can help us overcome our fears and find peace and rest.

Blair balances his many armed and mix and match animal/​monsters and darker color palette with whimsy, and inviting smiles, managing to side-​step being scary and creating a world that feels very dream-​like. The story itself is simple and straightforward but is warm and gentle which helps balance the surreal world he creates. Watson also being one of the warmest elements in the books helps draw our eye to him and the many long paths create fun eye movement as you move through the story.

I hope this book lulls many children to sleep while following Watson’s journey, just as it did for him. I also hope anyone enjoying the book is able to twinkle with their own stars when faced with worries and fears, remembering that our thoughts and dreams can be there for us when things are dark.

4.75 out of 5 crayons


Rebecca Zomchek is a children’s book illustrator who has worked as a concept artist and cartoonist. She earned her BFA from Syracuse University and her MFA from The School of Visual Arts; she is now the Associate Dean of Entertainment Design at the Columbus College of Art and Design. Rebecca loves watching the stars and going on adventures through the woods.

Visit her at www.rzillustration.com.

Picture Book Review: Bear Is Never Alone by Marc Veerkamp

Author: Marc Veerkamp
Translator: Laura Watkinson
Illustrator: Jeska Verstegen
Eerdmans Books for Young Readers
4 April 2023
32 pages

This month’s PB review is by Ryan G. Van Cleave (Owner/​Operator of Only Picture Books) and Florida-​based freelance illustrator Gladys Jose.

 

–Ryan’s Review of the Writing–

Veerkamp’s English-​language debut (which Laura Watkinson translated from the Dutch original) in an interesting one. Here’s the story.

From page one, everyone in the forest knows that Bear’s piano playing is magnificent. The forest creatures crowd around to hear every delicious note. So good!

Suddenly, there’s a YAAAAAWWWWWNNNN!

Who’d be so rude as to interrupt this wonderful concert? Not Monkey. Not Squirrel. Not Turtle.

Was it…Bear?

Yep, Bear is done with music for now and simply wants a break. He just wants to be alone, though that’s a real problem because the others aren’t okay with it. The way the animals stalk him and insist on more music–like he owes it to them!–seems to be vaguely reminiscent of how paparazzi swarms celebrities and expect them to deliver 247.

Eventually, Bear shakes his pursuers and ends up alone. Or so Bear thinks. But look–Zebra is nearby (and I can’t help but note how Zebra’s stripes are newsprint–so cool). Zebra’s not pushy or demanding, though. In fact, Zebra wants to do something in return for Bear playing such beautiful music. Zebra offers to read Bear a story.

No way, decides Bear because all he wants is to be left alone. But…being told a story is pretty good. Is there somehow a way for both animals to get what they want?

I won’t spoil the final spread, but it’s a cute, satisfying moment.

Introverted readers will see themselves in how powerfully Bears years for silence and solitude. Others who perhaps aren’t as attuned to that angle will likely see this as a story about respecting boundaries or showing kindness.

Regardless of how apparent the social-​emotional lessons are to readers, this simple story with captivating art is thoughtful and welcome. I look forward to seeing more of Veerkamp’s work being translated into English.

4.5 out of 5 pencils

 

–Gladys’ Review of the Illustrations–

The art for Bear Is Never Alone is absolutely stunning!

The illustrations for this book are rendered in brilliant silhouetted black and white figures and shapes, with a bold red color for small details. The use of negative space was used so thoughtfully throughout. It’s the type of art readers will want to take time and look through slowly, as there are little details hidden throughout. In some places the negative space is actually other imagery, another animal, or elements of the forest.

The lone zebra character’s “stripes” being text is a creative and lovely touch, tying in to the book that they were hoping to comfort bear with–the same way that the bear’s solid bold silhouette mimics the grand piano.

I appreciate how the lone zebra was actually introduced from the start of the book, but never mentioned through the text and you could see he was different than the other animals and would play a bigger role eventually.

In conclusion, I thoroughly enjoyed this picture book. Both the words and art were lovely! It’s definitely a book worth having on your shelf and worthy of re-reads.

5 out of 5 crayons


Gladys Jose is an illustrator and storyteller. She graduated from the University of Central Florida in 2012, where she earned a Bachelor of Fine Arts degree, specializing in graphic design. She’s the illustrator of the Fresh Princess series (HarperCollins), The Elephants’ Guide to Hide-​and-​Seek (Sourcebooks), and Clayton Parker Really Really REALLY Has to Pee (Abrams), as well as other upcoming books.
She lives in the sunny state of Florida with her supportive loving husband, energetic brilliant daughter, and a very sweet pup named Miles.